Proud Mary is about a female assassin in Boston whose life gets twist-turned upside down when she meets a little boy.
The direction in this movie is worse than London Has Fallen. The choices in camera angles are off, the movement is weird, and the quick cuts in a slow scene are just objectively wrong. Babak Najafi has done better, maybe it was his work with Mark Gill that helped with London Has Fallen. There are a surprisingly low number of producers compared to London Has Fallen and that's where I think the problem is.
I like Taraji P. Henson. You know her as Cookie from Empire. I don't like some of the characters she plays. Some might say she's strong and independent, but because the characters she plays are usually close-minded and only think their way is right. This has nothing to do with her as a person just a typecast that I find weird. There are a couple of exceptions like Hidden Figures and The Karate Kid.
Result: D+ (Don't even get me started on the writing...)
The direction in this movie is worse than London Has Fallen. The choices in camera angles are off, the movement is weird, and the quick cuts in a slow scene are just objectively wrong. Babak Najafi has done better, maybe it was his work with Mark Gill that helped with London Has Fallen. There are a surprisingly low number of producers compared to London Has Fallen and that's where I think the problem is.
I like Taraji P. Henson. You know her as Cookie from Empire. I don't like some of the characters she plays. Some might say she's strong and independent, but because the characters she plays are usually close-minded and only think their way is right. This has nothing to do with her as a person just a typecast that I find weird. There are a couple of exceptions like Hidden Figures and The Karate Kid.
Result: D+ (Don't even get me started on the writing...)
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