Skip to main content

Les Misérables (2012)

Les Misérables is about 19th-century France where a former prisoner, Jean Valjean, takes in a troubled girl.

Director, Tom Hooper, has some great shots. They are so short though a few times that they could be missed for how wonderful they are. It's not his fault the CG isn't up to par. Speaking of the CG scenes, they are sometimes so bad it's laughable. At the beginning of the film, Jean Valjean rips up papers and throws them to the wind. The papers fly up like in every film that has this floating effect to end a scene, but the papers are so obviously fake the effect was ruined. Hooper has very few technical issues when it comes to direction though and that's to be expected from the director of The King's Speech.

Hugh Jackman's origin and introduction are mostly meh. His singing is a miss for me at the early parts of the movie. Jean Valjean is such an interesting character but I only wish that the faces Jackman made didn't make me think of Wolverine. I couldn't separate the two and for that, the film suffered. It's hard to sing and act at the same time, especially when you have such strong lines to deliver.

Russell Crowe is surprisingly good. His singing isn't ideal but his acting is. I enjoyed his character and delivery more than Jackman. He technically is the antagonist of the film but his stoic and strong poses fit the character. His delivery is reminiscent of Gladiator but put to a wonderful score.

Helena Bonham Carter shows up to show everyone that she can still sing like in Sweeney Todd. I've always enjoyed her alternative choices in acting. Sacha Baron Cohen does a very good accent much like Talladega Nights. Their scenes together though just feel out of place in the overall story. The scenes are necessary don't get me wrong. Eddie Redmayne also shows up and does his best, but I think his scenes are like Carter's and Cohen's.

The greatest scenes belong to Anne Hathaway. Even with dirt on her skin and a shaven head, she's still gorgeous. Not only can she act, but she's one of the better singers in this musical as well. Her singing is soft which allows her to act through the music which I think is why she's the standout.

Result: B+ (Normally I don't really go for musicals. This is a recommended exception.)

Comments

Popular posts from this blog

Psycho Killer (2026)

Psycho Killer (2026) is a religious-tinged detective thriller that leans far more into procedural tension than outright horror. Directed by Gavin Polone , who is better known as a producer than a filmmaker, the movie benefits heavily from its screenplay by Andrew Kevin Walker , the writer behind Se7en . His fingerprints are all over this. The writing is sharp, layered with foreshadowing that only fully clicks at the end, and structured in a way that constantly feels like it is building toward something inevitable. The gorgeous  Georgina Campbell plays the detective tracking down the titular killer, and she carries the film with confidence. You'll remember her from Barbarian and recently Cold Storage.  The script gives her plenty of emotional range to explore, from controlled professionalism to visible cracks under pressure. She handles the lore-heavy exposition well and grounds what could have been overwhelming backstory. It is another strong showing for her and proof she c...

Cold Storage (2026)

Cold Storage (2026) is a sci fi horror thriller that surprised me in a good way. The writing is solid enough that it actually calmed some of my worries about Disclosure Day coming later this year since the same writer is involved. The story holds together and stays engaging, even when the visuals do not. The CG is laughably bad at times, but the acting/chemistry keeps the movie watchable. Jonny Campbell directs, with the screenplay by David Koepp , known for Jurassic Park and Spider-Man . His writing here is tighter than expected, which is why it gives me more confidence about Disclosure Day. The direction is straightforward and lets the script do most of the work, even if the effects budget clearly limits what can be shown on screen. He needs a redemption after  Indiana Jones and the Crystal Skull. Joe Keery , known for Stranger Things and Free Guy , is the main reason I showed up. He proves he can handle a leading role after Stranger Things and carries the film with a relax...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...