Skip to main content

Jumanji: Welcome to the Jungle (2017)


Jumanji: Welcome to the Jungle is about four teenagers who get transported into the video game world of Jumanji. A sequel to the original with a twist, instead of the world of Jumanji coming to the real world it's in reverse and with video game elements.

Director, Jake Kasdan, is probably best known as the director of Bad Teacher and Sex Tape (the bad Cameron Diaz and Jason Segel movie, not a porno). While the film is pretty straightforward with the shots used and imagery, Kasdan focuses on the performances of his actors. Smart movie Kasdan.

I've been enjoying Chris McKenna's writing for a long time now. If you consider since 2010 long. He did a TV show called Community and The LEGO Batman Movie which has grown on me since it's my eldest daughter's favorite movie. Oh, and he also did a little movie called Spider-Man: Homecoming. The dialogue in the film is great. Look forward to his writing in the upcoming movie Ant-Man and the Wasp.

Dwayne Johnson is perfect for the role of as the main character in a video game. The delivery of his lines are expectedly on point. His interactions between Hart's character and Gillan are just how a shy teenage boy would be. It's almost like he knew how that felt.

Kevin Hart was the hardest sell for me since he was just being himself instead of being Fridge. The way Fridge acted when not in the game was nothing like how Hart acted. It's only a small problem but it's noticeable if you think back.

Jack Black and Karen Gillan are great as video game characters being played by two young teenage girls. Sure they're stereotyping but everyone knows a girl like that in their high school. I teach for a living, I know students that are like these two. One is self-absorbed and the other a shy antisocial rebel. Black has some of the best lines while Gillan is hard to take your eyes off of.

Result: B+ (I recommend this as a comedy, that's saying a lot)

Comments

Popular posts from this blog

Mission: Impossible - Dead Reckoning Part One (2023)

Mission: Impossible - Dead Reckoning Part One  has a long name, long runtime, and long action sequences. Christopher McQuarrie  has directed Tom Cruise  in 4 out of his 5 directorial movies, the first being Jack Reacher . He has much more impressive writing credentials. But to talk about the direction of the movie, he knows how to direct action and chase scenes but when it comes to dialogue there were some issues I had with camera angles. I totally forgot that McQuarrie  had written The Usual Suspects,  which can explain some of the dialogue choices in this film. He knows how to write so that the audience remembers the characters' names, unlike Tony Gilroy . There's no connection there I just think that's one of my major criticisms of Gilroy. Tom Cruise looks like he's forty years old, but is actually sixty at the time of release. He has some great two-liners which seem to be more of his go-to, not only for adding emotions but for the trailer purpose. There are ...

Scream 7

Scream 7 (2026) marks the return of Kevin Williamson , the original writer of Scream , now stepping back in to write and direct. The result is a sequel that feels closer in spirit to the franchise’s roots. It balances meta commentary with straightforward slasher brutality and, for the most part, it works. Neve Campbell returns as Sidney Prescott and immediately grounds the film. Her presence alone gives the story weight, and the script wisely centers her instead of sidelining her. There are a few cameos from figures in Sidney’s past that longtime fans will appreciate, and while some feel more nostalgic than necessary, they never fully derail the pacing. Also, she's not past her prime. Isabel May , known for 1883 and Alexa & Katie , steps into a major role and holds her own as Sidney's daughter. She brings a modern energy without feeling like a forced replacement, and her dynamic with Campbell adds tension that feels organic rather than manufactured. The violence is tu...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...