The Smashing Machine (2025)

The Smashing Machine (2025) is written and directed by Benny Safdie, better known for his work in front of the camera in films like Good Time and Oppenheimer. Safdie’s eye for gritty realism translates into this film, but the story suffers somewhat from being too loyal to its source material. The authenticity makes it a strong character study but keeps it from being as entertaining as other films in its genre.

Dwayne “The Rock” Johnson delivers one of the most surprising performances of his career. Known for action-heavy roles in films like Fast Five and Black Adam, here he shows a range of emotions rarely seen in his past work. This is clearly his Oscar push, and it is likely he will receive at least a nomination for his work.

Also from Oppenheimer, Emily Blunt, plays the girlfriend character with frequent emotional swings. The volatility works for the role her performance brings depth and unpredictability to the film. I mentioned to my wife that everyone knows a girl like her.

Ryan Bader, the real-life MMA fighter, has a noteworthy supporting role as Mark Coleman. He plays it with conviction and precision, adding authenticity to the fight sequences and grounding the film’s portrayal of the sport.

Overall, the film features a strong cast and showcases impressive acting chops across the board. However, its strict adherence to the true story may alienate viewers who aren’t already interested in the source material. Result: B+

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We Bury The Dead (2026)

We Bury The Dead (2026) is a slow burn post apocalypse film centered on grief more than horror. Directed by Zak Hilditch , best known for smaller projects like 1922 and Rattlesnake , this is his first step into a larger American production. You can feel the restraint in the direction, sometimes to the film’s benefit and sometimes to its detriment. The pacing is deliberate, almost stubbornly so, and while the mood is consistent, it rarely escalates into anything memorable. Daisy Ridley , best known for Star Wars: The Force Awakens , carries the film as a woman searching for her missing husband who may or may not have turned into a zombie. Ridley is solid and emotionally grounded, doing the best she can with minimal dialogue and long stretches of quiet reflection. Her performance is never the problem. If anything, she is the primary reason the movie remains watchable. The supporting cast is where the film struggles. Nearly every side character is written as painfully one note, existi...

Anaconda (2025)

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The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...

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