The Smashing Machine (2025)

The Smashing Machine (2025) is written and directed by Benny Safdie, better known for his work in front of the camera in films like Good Time and Oppenheimer. Safdie’s eye for gritty realism translates into this film, but the story suffers somewhat from being too loyal to its source material. The authenticity makes it a strong character study but keeps it from being as entertaining as other films in its genre.

Dwayne “The Rock” Johnson delivers one of the most surprising performances of his career. Known for action-heavy roles in films like Fast Five and Black Adam, here he shows a range of emotions rarely seen in his past work. This is clearly his Oscar push, and it is likely he will receive at least a nomination for his work.

Also from Oppenheimer, Emily Blunt, plays the girlfriend character with frequent emotional swings. The volatility works for the role her performance brings depth and unpredictability to the film. I mentioned to my wife that everyone knows a girl like her.

Ryan Bader, the real-life MMA fighter, has a noteworthy supporting role as Mark Coleman. He plays it with conviction and precision, adding authenticity to the fight sequences and grounding the film’s portrayal of the sport.

Overall, the film features a strong cast and showcases impressive acting chops across the board. However, its strict adherence to the true story may alienate viewers who aren’t already interested in the source material. Result: B+

Comments

The Running Man (2025)

The Running Man (2025) is directed by Edgar Wright , known for Baby Driver and Hot Fuzz , but this remake lacks the trademark charm, rhythm, and comedic punch that define his best work. The film feels noticeably muted, almost as if Wright was creatively restrained or intentionally holding back, resulting in a tone that is far more conventional than expected from him. The visual flair is still present, but the energy is dialed down and the humor is sparse, creating an experience that feels competent yet oddly subdued. Glen Powell , known for Top Gun: Maverick and Anyone But You , leads the film well and brings his usual charisma to the role. He emotes effectively and fully commits to the character, but the makeup choices surrounding him occasionally distract and left me wondering what the creative team was trying to convey. Still, Powell carries the emotional beats and remains one of the film's strongest assets. Josh Brolin , from No Country for Old Men and Dune , steps comfor...

Frankenstein (2025)

Frankenstein (2025) is directed by Guillermo del Toro , the visionary filmmaker behind Pan’s Labyrinth and The Shape of Water . His style once again blends gothic beauty with emotional storytelling, and his long-awaited take on Frankenstein is everything you’d expect: tragic, poetic, and visually stunning. Del Toro’s passion for monsters and misunderstood souls shines through every frame, making this adaptation both faithful and deeply personal. Oscar Isaac , known for Ex Machina and Dune , gives a grounded and believable performance as the tormented Dr. Frankenstein. He captures the obsession and guilt of a man who has gone too far, balancing intellect with a quiet madness that feels earned rather than exaggerated. Mia Goth , who has proven herself in Pearl and Infinity Pool , continues her run as one of the most mesmerizing modern actors. Her ethereal presence fits perfectly within Del Toro’s world, and she brings depth and vulnerability to a role that could have easily been o...

Christy (2025)

Christy (2025) is directed by David Michôd , known for The King and Animal Kingdom , and written by Mirrah Foulkes , who penned Judy & Punch . While both bring a grounded and deliberate tone to the film, there’s something missing in the pacing and camera. The direction is competent but occasionally flat, leaving certain moments feeling less impactful than they should. Still, the story holds strong thanks to the performances. Sydney Sweeney , known for Euphoria, Anyone But You, and Madame Web , delivers one of her most mature and layered performances to date. She brings intensity, fragility, and conviction to the title role, proving she’s more than capable of carrying a serious dramatic film. Her emotional control and subtlety make the story believable, even when the writing wavers. Ben Foster , whose work in Hell or High Water and Pandorum has always stood out, once again shows why he’s one of the most underrated actors working today. His character is despicable, ye...

Movies, Film, and Chili

Search This Blog