Skip to main content

Bad Boys: Ride or Die (2024)


Bad Boys: Ride or Die is the fourth installment of the buddy cop action comedy. 

The film really suffers from pacing and transitions. Adil El Arbi and Bilall Fallah who failed to give Ms. Marvel any traction also directed the third film Bad Boys for Life. They haven't had any hits and have continued to put out flops it makes me wonder why they were chosen to direct the films.

Will Smith phones it in even worse than in previous years and fails to capture his bad-boy attitude like he did in the past, especially with everything we know that's going on in his personal life it seems to be bleeding over into his acting. His timing on his comedy lines is really horrible while on the other hand, his partner is better than ever.

Martin Lawrence is put front and center in the film which is smart for the directors to do, but the writers gave him awful and unfunny lines. None of the writers are known for comedy, but Will Beall did write Beverly Hills Cop: Axel F. The only saving grace is the constant need for Lawrence to want candy throughout the film which is a pretty dumb premise but he makes it work.

Eric Dane of Grey's Anatomy fame plays a one-dimensional bad guy who is just there and Vanessa Hudgens is completely underutilized for how well she can act. 

The film's just okay. Result: C+

Comments

Popular posts from this blog

We Bury The Dead (2026)

We Bury The Dead (2026) is a slow burn post apocalypse film centered on grief more than horror. Directed by Zak Hilditch , best known for smaller projects like 1922 and Rattlesnake , this is his first step into a larger American production. You can feel the restraint in the direction, sometimes to the film’s benefit and sometimes to its detriment. The pacing is deliberate, almost stubbornly so, and while the mood is consistent, it rarely escalates into anything memorable. Daisy Ridley , best known for Star Wars: The Force Awakens , carries the film as a woman searching for her missing husband who may or may not have turned into a zombie. Ridley is solid and emotionally grounded, doing the best she can with minimal dialogue and long stretches of quiet reflection. Her performance is never the problem. If anything, she is the primary reason the movie remains watchable. The supporting cast is where the film struggles. Nearly every side character is written as painfully one note, existi...

Anaconda (2025)

Anaconda (2025) is a reboot comedy of the 90s film, written and directed by Tom Gormican , who previously delivered the clever and self-aware The Unbearable Weight of Massive Talent . Unfortunately, that lightning does not strike twice. The core problem is simple. The jokes do not land. If horror films are judged by scares per minute, then comedies should be judged by laughs per minute, and this one delivers virtually none. Any humor that works was already burned in the trailer, leaving the film feeling empty and painfully drawn out. Jack Black , known for School of Rock and Jumanji , leans heavily into his loud, chaotic persona, but here it becomes grating rather than charming. His performance feels unchecked and repetitive, as if volume alone is meant to substitute for comedy. Instead of elevating scenes, he often drains them of momentum. Paul Rudd , who audiences know from Ant-Man and I Love You, Man , somehow comes off just as irritating. Rudd is usually likable even in weak m...

The Housemaid (2025)

The Housemaid (2025) is directed by Paul Feig , best known for comedies like Bridesmaids and Freaks and Geeks , and the tonal clash is noticeable. Feig leans into slick presentation and surface-level tension, but the film never quite reconciles its thriller ambitions with its obvious messaging. As an adaptation, it feels safer and more predictable than it wants to be, especially given how clearly it telegraphs its twists. Sydney Sweeney , known for Euphoria and Anyone But You , plays a down-on-her-luck woman recently out on parole who is desperate for work. She does what she can with the role and brings some emotional weight early on, but the writing limits her range. Her character cycles through bashful and annoyed so often that it starts to feel repetitive rather than psychologically layered. Amanda Seyfried , recognizable from Mamma Mia! and Mean Girls , plays the wealthy woman whose life slowly unravels as the power dynamic flips. Seyfried is solid and more controlled than Sw...