Skip to main content

Twisters (2024)

 

Twisters is a beat-for-beat retelling of the movie Twister but with some obvious updates.

Oscar nominee, Lee Isaac Chung took the reigns to direct this reboot/remake. He directed Minari which I highly recommend. He also wrote that movie too, where he had Mark L. Smith write the screenplay, and Joseph Kosinski write the story. Smith's writing is all over the place with The Revenant being great, while Overlord is not. Twisters takes what it can from the original source but the dialogue and delivery could be better with certain characters.

The elephant in the room is Anthony Ramos, who has yet to have a good acting performance. He was the worst actor in Hamilton and tried way too hard in Dumb Money. He can't deliver the lines or the character arch that was written for him. It's very hard to root for his character growth when he can't deliver it.

Daisy Edgar-Jones plays the main character. She, like the first movie, has to deliver some really heartbreaking lines of emotion and passion that anyone who saw the first film will expect and appreciate. She lands those lines and delivers. You might remember her from Where the Crawdads Sing

Glen Powell reminds me a lot of a young Tom Cruise, not in his appearance but in his delivery of charm and charisma. He was even in Top Gun: Maverick as some sort of torch-passing. He was also in Anyone But You, which had many flaws but he still did okay. He'll be playing The Running Man which at the time of writing is in pre-production. So that's exciting.

It had a rocky start and a questionable ending. The movie lands short of a recommendation but is still above average for a 2024 film. Result: B-



Comments

Popular posts from this blog

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...