Skip to main content

Wonka (2023)

 


Wonka is a prequel and nostalgia bait to Charlie and the Chocolate Factory. 

Written and directed by Paddington's Paul King, who has been downhill since Space Force and The Outsiders. The film really lacks any sort of flair as everything seems so bland and boring. It appears to me that the translation from animated bear to this has seen some trouble. King doesn't know who his audience is: is it kids, adults, or both? If it's kids why is the film so dark and gloomy in the beginning? If it's adults why are the characters so simplistic and the humor so childish?

Timothée Chalamet plays Wonka and from my first impression, he is the worst Wonka we've had. He has to carry every scene that Calah Lane is in who seems so distant from what she's doing. Child actors can really be a hit-or-miss type of situation. Lane was a huge disappointment here. 

Wonka has a bit of a problem in that the music is annoying and not really catchy either. Also, some of the casting choices were really bizarre. It's almost as if they picked the people not based off of skill or merit except for a few. 

I'll never willingly watch this film again and wouldn't recommend it to anyone even musical enthusiasts. The only saving grace is the charm of Timothée Chalamet and Kegan-Michael Key. Result: C-

Comments

Popular posts from this blog

Tuner (2026)

Tuner is written and directed by Daniel Roher and centers around a piano tuner who becomes involved in cracking safes, balancing his growing criminal life with his personal relationships. The film has a very specific tone that will not work for everyone, but it knows exactly what audience it is aiming for. Roher keeps the story grounded and character-focused, allowing the tension to come more from personal choices and atmosphere than from explosive action. It moves at a deliberate pace, which may lose some viewers, but those willing to settle into its rhythm will likely appreciate what it is doing. Leo Woodall , known for The White Lotus and One Day , plays the lead role and does a strong job carrying the film. He balances the nervousness and charm of the character well, making the transition between ordinary working man and reluctant criminal believable. Woodall gives the film its emotional center and keeps the quieter moments engaging through sheer screen presence. Havana Rose L...

Backrooms (2026)

Backrooms is written and directed by Kane Parsons , with producer  Osgood Perkins , known for Longlegs and The Monkey . Parsons gained attention through the original web series, but this adaptation shifts heavily away from pure horror and toward character-focused storytelling. The problem is that much of the audience is likely coming in wanting unsettling imagery, tension, and scares rather than extended emotional exploration. The film certainly captures an eerie atmosphere and the endless liminal spaces remain creepy, but it rarely escalates into anything genuinely terrifying. Chiwetel Ejiofor , known for 12 Years a Slave and Doctor Strange , initially appears positioned as the film’s central figure. He brings his usual gravitas and instantly feels like the strongest actor in the movie. However, the story eventually pivots away from him in a bait-and-switch that leaves the film feeling less anchored once the focus changes. Renate Reinsve , known for The Worst Person in the Wo...

Masters of the Universe (2026)

Masters of the Universe is directed by Travis Knight , known for Kubo and the Two Strings and Bumblebee , and while the film is competently made, it often struggles with execution. The action sequences look impressive on the surface, but many of the larger one vs. many fights suffer from a common problem where enemies appear to stand around waiting their turn to attack. The script, written by Aaron Nee and Adam Nee , known for The Lost City , takes the story in a direction that feels at odds with what many audiences might expect from a Masters of the Universe adaptation. Rather than embracing the larger than life heroic fantasy at the center of the franchise, the film spends much of its time deconstructing its protagonist in ways that don't always serve the story. Nicholas Galitzine , known for The Idea of You and Red, White & Royal Blue , plays He-Man and does what he can with the material. The character is written in a way that often undermines the masculinity associate...