Skip to main content

Wonka (2023)

 


Wonka is a prequel and nostalgia bait to Charlie and the Chocolate Factory. 

Written and directed by Paddington's Paul King, who has been downhill since Space Force and The Outsiders. The film really lacks any sort of flair as everything seems so bland and boring. It appears to me that the translation from animated bear to this has seen some trouble. King doesn't know who his audience is: is it kids, adults, or both? If it's kids why is the film so dark and gloomy in the beginning? If it's adults why are the characters so simplistic and the humor so childish?

Timothée Chalamet plays Wonka and from my first impression, he is the worst Wonka we've had. He has to carry every scene that Calah Lane is in who seems so distant from what she's doing. Child actors can really be a hit-or-miss type of situation. Lane was a huge disappointment here. 

Wonka has a bit of a problem in that the music is annoying and not really catchy either. Also, some of the casting choices were really bizarre. It's almost as if they picked the people not based off of skill or merit except for a few. 

I'll never willingly watch this film again and wouldn't recommend it to anyone even musical enthusiasts. The only saving grace is the charm of Timothée Chalamet and Kegan-Michael Key. Result: C-

Comments

Popular posts from this blog

Mission: Impossible - Dead Reckoning Part One (2023)

Mission: Impossible - Dead Reckoning Part One  has a long name, long runtime, and long action sequences. Christopher McQuarrie  has directed Tom Cruise  in 4 out of his 5 directorial movies, the first being Jack Reacher . He has much more impressive writing credentials. But to talk about the direction of the movie, he knows how to direct action and chase scenes but when it comes to dialogue there were some issues I had with camera angles. I totally forgot that McQuarrie  had written The Usual Suspects,  which can explain some of the dialogue choices in this film. He knows how to write so that the audience remembers the characters' names, unlike Tony Gilroy . There's no connection there I just think that's one of my major criticisms of Gilroy. Tom Cruise looks like he's forty years old, but is actually sixty at the time of release. He has some great two-liners which seem to be more of his go-to, not only for adding emotions but for the trailer purpose. There are ...

Scream 7

Scream 7 (2026) marks the return of Kevin Williamson , the original writer of Scream , now stepping back in to write and direct. The result is a sequel that feels closer in spirit to the franchise’s roots. It balances meta commentary with straightforward slasher brutality and, for the most part, it works. Neve Campbell returns as Sidney Prescott and immediately grounds the film. Her presence alone gives the story weight, and the script wisely centers her instead of sidelining her. There are a few cameos from figures in Sidney’s past that longtime fans will appreciate, and while some feel more nostalgic than necessary, they never fully derail the pacing. Also, she's not past her prime. Isabel May , known for 1883 and Alexa & Katie , steps into a major role and holds her own as Sidney's daughter. She brings a modern energy without feeling like a forced replacement, and her dynamic with Campbell adds tension that feels organic rather than manufactured. The violence is tu...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...