Skip to main content

Maestro (2023)

 


Maestro is a love story about a composter and conductor who falls in love with an actress.

I have to talk about something that I wouldn't normally talk about first. The makeup department should be nominated for an Oscar as I couldn't tell that was Bradley Cooper until I really heard his typical voice come out. Cooper sometimes has a hard time hiding that charm. Written and directed by Cooper, I wish the film would have really had a better marketing plan and a theatrical release as this being a Netflix movie actually limits it and I doubt most people will watch this.

I have a bias toward Carey Mulligan positively so I'll keep my notes on her brief. While I imagine she'll be nominated for an Oscar for the film I found certain parts of her performance to be trying too hard.

The delivery of the dialogue is given way too fast in the first scene between Cooper and Mulligan to establish that these two are our leads. They also talk over each other like this is an Aaron Sorkin film which at some point it felt like it was trying to be. There is some great writing in how the film plays out though. It hits on cultural topics that are very important for 2023.

I wouldn't want to watch the film again but the performance by Cooper is great. I'd recommend this for only some people as I feel most people would be bored to tears or just not turn it on in the first place. Result: B+

Comments

Popular posts from this blog

Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise  Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...