Skip to main content

Leo (2023)

 

Leo is about an old lizard who wants to have his one last hurrah before he gets too old to do his bucket list.

This is another in the long line of Adam Sandler movies for Netflix that his contract requires him to do. In 2020, Sandler got another quarter of a million dollar deal with Netflix to do four more movies since his view count was so monumental over other Netflix original movies. While watching the movie you can tell it's Sandler's humor and he hires his usual friends to voice act in this animated family film. With Disney failing and Illumination taking hold of families, it's nice that there is room for Happy Madison Productions to put in good work.

Sandler puts on a voice for Leo that is goofy in his own right. Bill Burr plays his best bud Squirtle the turtle. Cecily Strong, from Saturday Night Live, plays the substitute teacher, she really sells the mean old lady. Another couple of voices you'll recognize were Siendfeld's Jason Alexander as the entitled parent and, of course, Rob Schneider as the Principal.

My kids enjoyed the film, even the pre-teen who hates most things. Like old family films, there are plenty of adult humor that will go over the children's heads. There's a lot of singing but that isn't unheard of with a Sandler cartoon. Result: B+

Labels:

Comments

Post a Comment

Popular posts from this blog

The Running Man (2025)

The Running Man (2025) is directed by Edgar Wright , known for Baby Driver and Hot Fuzz , but this remake lacks the trademark charm, rhythm, and comedic punch that define his best work. The film feels noticeably muted, almost as if Wright was creatively restrained or intentionally holding back, resulting in a tone that is far more conventional than expected from him. The visual flair is still present, but the energy is dialed down and the humor is sparse, creating an experience that feels competent yet oddly subdued. Glen Powell , known for Top Gun: Maverick and Anyone But You , leads the film well and brings his usual charisma to the role. He emotes effectively and fully commits to the character, but the makeup choices surrounding him occasionally distract and left me wondering what the creative team was trying to convey. Still, Powell carries the emotional beats and remains one of the film's strongest assets. Josh Brolin , from No Country for Old Men and Dune , steps comfor...
Post a Comment
Read more

Frankenstein (2025)

Frankenstein (2025) is directed by Guillermo del Toro , the visionary filmmaker behind Pan’s Labyrinth and The Shape of Water . His style once again blends gothic beauty with emotional storytelling, and his long-awaited take on Frankenstein is everything you’d expect: tragic, poetic, and visually stunning. Del Toro’s passion for monsters and misunderstood souls shines through every frame, making this adaptation both faithful and deeply personal. Oscar Isaac , known for Ex Machina and Dune , gives a grounded and believable performance as the tormented Dr. Frankenstein. He captures the obsession and guilt of a man who has gone too far, balancing intellect with a quiet madness that feels earned rather than exaggerated. Mia Goth , who has proven herself in Pearl and Infinity Pool , continues her run as one of the most mesmerizing modern actors. Her ethereal presence fits perfectly within Del Toro’s world, and she brings depth and vulnerability to a role that could have easily been o...
Post a Comment
Read more

Christy (2025)

Christy (2025) is directed by David Michôd , known for The King and Animal Kingdom , and written by Mirrah Foulkes , who penned Judy & Punch . While both bring a grounded and deliberate tone to the film, there’s something missing in the pacing and camera. The direction is competent but occasionally flat, leaving certain moments feeling less impactful than they should. Still, the story holds strong thanks to the performances. Sydney Sweeney , known for Euphoria, Anyone But You,  and Madame Web , delivers one of her most mature and layered performances to date. She brings intensity, fragility, and conviction to the title role, proving she’s more than capable of carrying a serious dramatic film. Her emotional control and subtlety make the story believable, even when the writing wavers. Ben Foster , whose work in Hell or High Water and Pandorum  has always stood out, once again shows why he’s one of the most underrated actors working today. His character is despicable, ye...
Post a Comment
Read more