Skip to main content

The Marvels (2023)

 


The Marvels is a team-up between three women superheroes to save the universe from Dar-Benn.

Written and directed by Nia DaCosta, this isn't the first time Marvel Studios has given a little-known director a chance at a major motion picture. Sure, she directed Candyman (2021), but it was pretty bad and quite progressive and not in a good way. There are some eye-rolling scenes: a jump rope montage, a singing and dancing alien planet, and a bunch of cats. She writes Dar-Benn as a villain who is supposed to be someone you can understand why she does the things she does but it comes off like a teenager who holds a grudge.

Brie Larson reprises her role as Captain Marvel. She seems like she's really just ready for the role to be over with each scene she's in. She lacks emotions and doesn't interact well with her supposed friend who she hasn't seen in decades. Her character is inconsistent, she could single-handedly take down Thanos but now she struggles against a Kree General.  After Scott Pilgrim vs. the World, I never thought I'd hear Brie sing again. It wasn't what I expected.

Teyonah Parris plays Monica Rambeau who probably is the best actor among the three, and also the best looking but that's beside the point. She moves the plot forward while Ms. Marvel tries to add comic relief and I don't know what Captain Marvel's motivation is. Perhaps she intends to inspire leadership but the writing doesn't give her that dialogue.

Iman Vellani plays Ms. Marvel. She tries her best to be relatable and a comic relief but audiences didn't like Captain Marvel from the first film so I imagine audiences will have a hard time relating to someone fangirling over Brie Larson in every scene. She's insufferable and I was surprised I liked her less than Captain Marvel. Also at one point, Ms. Marvel uses her powers without her power source. It seems like the writer didn't watch the Ms. Marvel show.

The worst acting goes to Zawe Ashton who overacts in every scene. She plays the big bad. Her actions, though written as inspiring for the Kree, I found it unconvincing. Her character is nothing like that of the comics and has not only been gender-swapped but also race-swapped. 

The writing is really bad. There is a moment when something new shows up that has never really been seen before and the characters instantly know what to do to fix it. No studying or research is needed. It's bad, not too bad, and it passed the time. Result: C-


Comments

Popular posts from this blog

The Devil Wears Prada 2 (2026)

The Devil Wears Prada 2 is written by Aline Brosh McKenna , known for The Devil Wears Prada and Cruella , and continues the story with a noticeably different tone. The film leans heavily into a more modern studio approach, with its themes and messaging pushed front and center. Structurally, it falls into a repetitive pattern of “problem, solution, move on,” creating a chain of predictable moments that feel more like checkpoints than a natural progression. The result is a story that lacks subtlety and rarely trusts the audience to engage without being guided at every turn. Meryl Streep , known for The Iron Lady and Kramer vs. Kramer , returns as Miranda Priestly and once again delivers a commanding performance. She slips back into the role effortlessly, bringing the same sharp presence and control that defined the original. Even when the material around her falters, she remains consistently engaging and reminds you why the character worked so well to begin with. Anne Hathaway , kno...

Michael (2026)

Michael is directed by Antoine Fuqua , known for Training Day and The Equalizer 2 , and this film clearly carries his stylistic fingerprints. It aims to capture the life and legacy of Michael Jackson through a more personal lens, balancing spectacle with intimate character moments. While Fuqua brings a strong visual identity and some powerful sequences, the film struggles with pacing. The editing feels bloated at times, with certain stretches lingering longer than they should, which disrupts the overall flow. Jaafar Jackson , making his debut and known primarily for being the nephew of Michael Jackson , takes on the monumental task of portraying his late uncle. He does an impressive job embodying both the physicality and presence, capturing the voice, movement, and charisma in a way that feels authentic rather than imitative. It is a performance that carries the film and makes it easy to stay invested even when the structure falters. Colman Domingo , known for Rustin and Euphoria...

Exit 8 (2026)

Exit 8 is directed by Genki Kawamura , who is best known as the producer of Your Name. , though his work as a director may be less familiar. The film leans into a minimalist premise, building tension through repetition and unease rather than large set pieces. It succeeds in creating an atmosphere that keeps you alert, with a structure that slowly reveals its rules and stakes. While the story ultimately comes together in a satisfying way, the journey there can feel a bit too restrained to stay consistently engaging. Kazunari Ninomiya , known for Gantz and Letters from Iwo Jima , carries much of the film on his own. His performance fits the tone well, grounded and reactive in a way that matches the film’s quiet tension. He does a solid job making small moments feel important, though the script doesn’t always give him enough variety to fully showcase his range. Still, he keeps the film watchable even when the pacing slows. Overall, Exit 8 is a well-constructed film that nails its ten...