Skip to main content

The Marvels (2023)

 


The Marvels is a team-up between three women superheroes to save the universe from Dar-Benn.

Written and directed by Nia DaCosta, this isn't the first time Marvel Studios has given a little-known director a chance at a major motion picture. Sure, she directed Candyman (2021), but it was pretty bad and quite progressive and not in a good way. There are some eye-rolling scenes: a jump rope montage, a singing and dancing alien planet, and a bunch of cats. She writes Dar-Benn as a villain who is supposed to be someone you can understand why she does the things she does but it comes off like a teenager who holds a grudge.

Brie Larson reprises her role as Captain Marvel. She seems like she's really just ready for the role to be over with each scene she's in. She lacks emotions and doesn't interact well with her supposed friend who she hasn't seen in decades. Her character is inconsistent, she could single-handedly take down Thanos but now she struggles against a Kree General.  After Scott Pilgrim vs. the World, I never thought I'd hear Brie sing again. It wasn't what I expected.

Teyonah Parris plays Monica Rambeau who probably is the best actor among the three, and also the best looking but that's beside the point. She moves the plot forward while Ms. Marvel tries to add comic relief and I don't know what Captain Marvel's motivation is. Perhaps she intends to inspire leadership but the writing doesn't give her that dialogue.

Iman Vellani plays Ms. Marvel. She tries her best to be relatable and a comic relief but audiences didn't like Captain Marvel from the first film so I imagine audiences will have a hard time relating to someone fangirling over Brie Larson in every scene. She's insufferable and I was surprised I liked her less than Captain Marvel. Also at one point, Ms. Marvel uses her powers without her power source. It seems like the writer didn't watch the Ms. Marvel show.

The worst acting goes to Zawe Ashton who overacts in every scene. She plays the big bad. Her actions, though written as inspiring for the Kree, I found it unconvincing. Her character is nothing like that of the comics and has not only been gender-swapped but also race-swapped. 

The writing is really bad. There is a moment when something new shows up that has never really been seen before and the characters instantly know what to do to fix it. No studying or research is needed. It's bad, not too bad, and it passed the time. Result: C-


Comments

Popular posts from this blog

Hope (2026)

Hope is directed by Na Hong-jin , the same director who brought us The Wailing , and it has a similarly interesting approach to suspense. The story itself is intriguing, but the editing desperately needed some work. The pacing can be all over the place, which makes some sections feel much longer than they need to be. The comedy also comes completely out of nowhere, considering most of the movie is built around suspense and action. Some of it works, but the tonal shifts can be pretty jarring. Hwang Jung-min's character has the best arc in the movie. His character actually changes throughout the story, and watching that progression is one of the film's strongest elements. Ho-yeon's character, she was in Squid Game, on the other hand, is great from the beginning and doesn't really have much growth. That isn't necessarily a bad thing, but it makes the contrast between the two characters' arcs pretty noticeable. Zo In-sung, known from Netflix show  It's Okay,...

Runner (2026)

Runner is directed by Scott Waugh , the same director who brought us Act of Valor and Expendables 4 , and he knows how to handle action. The action is well directed, and the editing is tight enough that the movie never feels unnecessarily drawn out. The film is pretty straightforward, but it knows what it wants to be and delivers a fun action movie without overstaying its welcome. Alan Ritchson tries to branch out from the role of the giant who beats people up, but he doesn't get very far away from it. He's clearly capable of playing more than the typical physically imposing action hero, but this movie still leans heavily into what he's already known for. Owen Wilson , meanwhile, basically plays himself, or at least a character very similar to the one he played in Wedding Crashers . If you've seen Wilson in that type of role before, you know exactly what you're getting. Rodrigo Santoro , who most people will probably recognize from 300 , plays the main villain. H...

Good Luck, Have Fun, Don't Die (2026)

Good Luck, Have Fun, Don't Die is directed by Gore Verbinski and written by Matthew Robinson , who clearly has never been in a classroom. He writes students and teachers through the lens of what social media portrays them as rather than how they actually behave. The movie is trying to build character development, but it's clear within the first five seconds who these people are. Instead of letting the plot move forward, the movie spends way too much time developing characters that didn't need nearly that much development. As a teacher, I found myself rolling my eyes, both metaphorically and literally, more times than I could count. The message is front and center throughout the movie, and no amount of talent can really distract from the bad writing. It isn't until around the twenty-minute mark that the movie finally gets back to the actual plot. By that point, the unnecessary character development and side stories have already dragged things down. The movie clearly wa...