Skip to main content

The Marvels (2023)

 


The Marvels is a team-up between three women superheroes to save the universe from Dar-Benn.

Written and directed by Nia DaCosta, this isn't the first time Marvel Studios has given a little-known director a chance at a major motion picture. Sure, she directed Candyman (2021), but it was pretty bad and quite progressive and not in a good way. There are some eye-rolling scenes: a jump rope montage, a singing and dancing alien planet, and a bunch of cats. She writes Dar-Benn as a villain who is supposed to be someone you can understand why she does the things she does but it comes off like a teenager who holds a grudge.

Brie Larson reprises her role as Captain Marvel. She seems like she's really just ready for the role to be over with each scene she's in. She lacks emotions and doesn't interact well with her supposed friend who she hasn't seen in decades. Her character is inconsistent, she could single-handedly take down Thanos but now she struggles against a Kree General.  After Scott Pilgrim vs. the World, I never thought I'd hear Brie sing again. It wasn't what I expected.

Teyonah Parris plays Monica Rambeau who probably is the best actor among the three, and also the best looking but that's beside the point. She moves the plot forward while Ms. Marvel tries to add comic relief and I don't know what Captain Marvel's motivation is. Perhaps she intends to inspire leadership but the writing doesn't give her that dialogue.

Iman Vellani plays Ms. Marvel. She tries her best to be relatable and a comic relief but audiences didn't like Captain Marvel from the first film so I imagine audiences will have a hard time relating to someone fangirling over Brie Larson in every scene. She's insufferable and I was surprised I liked her less than Captain Marvel. Also at one point, Ms. Marvel uses her powers without her power source. It seems like the writer didn't watch the Ms. Marvel show.

The worst acting goes to Zawe Ashton who overacts in every scene. She plays the big bad. Her actions, though written as inspiring for the Kree, I found it unconvincing. Her character is nothing like that of the comics and has not only been gender-swapped but also race-swapped. 

The writing is really bad. There is a moment when something new shows up that has never really been seen before and the characters instantly know what to do to fix it. No studying or research is needed. It's bad, not too bad, and it passed the time. Result: C-


Labels:

Comments

Post a Comment

Popular posts from this blog

K-Pop: Demon Hunters (2025)

K-Pop: Demon Hunters follows a girl group who balance battling demons by night with pop stardom by day, but the concept ends up more exhausting than exciting. Directed by first-time director  Maggie Kang , best known for being in the art department for  The Lego Ninjago Movie , the film leans hard into a hyper-stylized, neon-soaked aesthetic but forgets to bring anything fresh. The animation is polished, but the visual style feels borrowed from better films. The pacing drags even during the action scenes. It is more concerned with selling attitude than building stakes. Arden Cho , known for Teen Wolf and Partner Track , voices the group’s leader and brings charisma to the role, but the script doesn't give her much to work with. She has strong delivery and presence, but the character is more wish-fulfillment than fully realized. May Gong , in her first major role, fits the energy of the film and brings a youthful vibe. She holds her own in the group dynamic but is often sid...
Post a Comment
Read more

F1: The Movie (2025)

F1: The Movie follows a veteran driver coming out of retirement to mentor a young rookie while trying to prove he still belongs on the track. Directed by Joseph Kosinski , known for Top Gun: Maverick and Tron: Legacy , the film is clean, polished, and loaded with style. But with Jerry Bruckheimer producing, it leans more into spectacle than subtlety. You can feel the Bruckheimer DNA in every dramatic slow-mo, thunderous soundtrack cue, and pit-lane explosion. That’s not a bad thing. It just feels more like his movie than Kosinski’s. Brad Pitt , fresh off Bullet Train and still riding the wave from Once Upon a Time in Hollywood , plays the aging driver with charm and edge. He’s believable behind the wheel and sells the physical and emotional wear of someone who’s spent too long chasing speed. It’s one of his more grounded roles in years, and he pulls it off without trying too hard. Damson Idris , known for Snowfall, of which I own the comic , plays the rookie and brings a mix of ...
Post a Comment
Read more

M3GAN 2.0 (2025)

M3GAN 2.0 continues the story of the world’s most dangerously sassy AI doll, picking up after the first film's events with a new host, new threats, and a few more upgrades. Directed by Gerard Johnstone , returning from the original M3GAN , the film keeps the same sleek look and dark humor, but the energy isn’t quite the same. The scares are toned down, the satire feels more obvious, and the plot plays it safer this time. It’s still well paced and visually sharp, just not as punchy or fresh as before. Violet McGraw , reprising her role from the first film, shows a bit more range this time. She handles the trauma beats well and sells the emotional moments, even when the script leans a bit cheesy. She’s growing as an actress, and it shows. Allison Williams , best known for Get Out and Girls , returns and feels more like a supporting character this time. She’s fine, just not given much to do besides react to the new version of M3GAN and deliver exposition. Still, she’s a steady pr...
Post a Comment
Read more