Skip to main content

The Marvels (2023)

 


The Marvels is a team-up between three women superheroes to save the universe from Dar-Benn.

Written and directed by Nia DaCosta, this isn't the first time Marvel Studios has given a little-known director a chance at a major motion picture. Sure, she directed Candyman (2021), but it was pretty bad and quite progressive and not in a good way. There are some eye-rolling scenes: a jump rope montage, a singing and dancing alien planet, and a bunch of cats. She writes Dar-Benn as a villain who is supposed to be someone you can understand why she does the things she does but it comes off like a teenager who holds a grudge.

Brie Larson reprises her role as Captain Marvel. She seems like she's really just ready for the role to be over with each scene she's in. She lacks emotions and doesn't interact well with her supposed friend who she hasn't seen in decades. Her character is inconsistent, she could single-handedly take down Thanos but now she struggles against a Kree General.  After Scott Pilgrim vs. the World, I never thought I'd hear Brie sing again. It wasn't what I expected.

Teyonah Parris plays Monica Rambeau who probably is the best actor among the three, and also the best looking but that's beside the point. She moves the plot forward while Ms. Marvel tries to add comic relief and I don't know what Captain Marvel's motivation is. Perhaps she intends to inspire leadership but the writing doesn't give her that dialogue.

Iman Vellani plays Ms. Marvel. She tries her best to be relatable and a comic relief but audiences didn't like Captain Marvel from the first film so I imagine audiences will have a hard time relating to someone fangirling over Brie Larson in every scene. She's insufferable and I was surprised I liked her less than Captain Marvel. Also at one point, Ms. Marvel uses her powers without her power source. It seems like the writer didn't watch the Ms. Marvel show.

The worst acting goes to Zawe Ashton who overacts in every scene. She plays the big bad. Her actions, though written as inspiring for the Kree, I found it unconvincing. Her character is nothing like that of the comics and has not only been gender-swapped but also race-swapped. 

The writing is really bad. There is a moment when something new shows up that has never really been seen before and the characters instantly know what to do to fix it. No studying or research is needed. It's bad, not too bad, and it passed the time. Result: C-


Labels:

Comments

Post a Comment

Popular posts from this blog

The Drama (2026)

The Drama is directed by Kristoffer Borgli  known for Dream Scenario and Sick of Myself. T he film feels determined to present itself as something profound and artistic. Borgli leans heavily into style and ambiguity, but the result is a movie that often feels more interested in appearing meaningful than actually being meaningful. The pacing is hurt by constant quick cuts between scenes, rarely allowing a moment to breathe or an emotion to settle. Just as a scene starts to build momentum, the film jumps somewhere else, making it difficult for any dramatic moment to land with the weight it deserves. Zendaya , known for Dune and Challengers , plays her role with an extremely restrained approach. Unfortunately, the performance often feels one-note, with much of her emotional range limited to variations of frustration and disappointment. Whether this was a directorial choice or an acting one, it creates a distance between the character and the audience that the film never overcomes....
Post a Comment
Read more

The Death of Robin Hood (2026)

The Death of Robin Hood is written and directed by Michael Sarnoski , who first gained attention with Pig before moving into larger productions with A Quiet Place: Day One . This film feels like his most overtly artistic work to date, trading adventure and action for atmosphere and reflection. The movie is visually impressive and often succeeds at creating a somber, almost dreamlike mood, but its deliberate pacing becomes difficult to ignore its two-hour and three-minute runtime. Scenes linger, conversations stretch, and the story frequently feels more interested in mood than momentum. Hugh Jackman , known for Logan and The Prestige , takes on the role of an aging Robin Hood and delivers a committed performance. He carries the emotional burden of the film well, portraying a man wrestling with regret, legacy, and mortality. Jackman has the screen presence to make even the slower moments engaging, although the script occasionally asks him to carry more weight than the story itself ca...
Post a Comment
Read more

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...
Post a Comment
Read more