Skip to main content

Sisu (2023)

 


Sisu is about a retired soldier during World War II who finds gold during a Nazi occupation and his fight to get himself and others home safely.

Written and directed by Jalmari Helander, the film is heavily inspired by Grindhouse and similar style films. There are many times you would think: surely that would kill a person, but it doesn't. So there is a bit of suspension of disbelief and after a while, you're just waiting to see how he survives this next scene rather than thinking there are stakes. It's fun, but you wouldn't want to watch it again.

Jorma Tommila is the main character and has this rugged look to him that makes you believe that he's seen some stuff. He doesn't really change in terms of character growth, but then again you're not really looking for that sort of arc in this film. He hasn't been in anything you've heard of but over there he's been in a bunch.

Aksel Hennie plays the lead Nazi and main bad guy. He's Norwegian but that doesn't mean you haven't seen him in anything. He was in The Martian and The Cloverfield Paradox. He does a great job, all things considered, even with the accent. He's ruthless in his pursuit, and the writers give him a reason to want to get the gold Sisu found.

The film is watchable and if you turn your brain off it works well. Result: B-


Comments

Popular posts from this blog

Scream 7

Scream 7 (2026) marks the return of Kevin Williamson , the original writer of Scream , now stepping back in to write and direct. The result is a sequel that feels closer in spirit to the franchise’s roots. It balances meta commentary with straightforward slasher brutality and, for the most part, it works. Neve Campbell returns as Sidney Prescott and immediately grounds the film. Her presence alone gives the story weight, and the script wisely centers her instead of sidelining her. There are a few cameos from figures in Sidney’s past that longtime fans will appreciate, and while some feel more nostalgic than necessary, they never fully derail the pacing. Also, she's not past her prime. Isabel May , known for 1883 and Alexa & Katie , steps into a major role and holds her own as Sidney's daughter. She brings a modern energy without feeling like a forced replacement, and her dynamic with Campbell adds tension that feels organic rather than manufactured. The violence is tu...

Dracula (2026)

Dracula (2026) is written and directed by Luc Besson , and it feels like a filmmaker trying to modernize a classic myth while chasing a younger audience. The film is hyperactive in its editing, filled with quick cuts that rarely let a scene breathe. It is hard not to compare that to the more confident pacing of The Fifth Element , which trusted its style and performances to carry attention without frantic cutting. Here, the editing feels almost desperate at times. Caleb Landry Jones takes on the title role and uses a very odd accent that feels like a deliberate directorial choice. He also leans heavily into overacting, pushing expressions and line delivery to theatrical extremes. In Three Billboards Outside Ebbing, Missouri , he was more subdued and forgettable in a supporting role. Here he is front and center, and the performance is certainly memorable, just not always in a good way. Christoph Waltz plays the priest positioned as the protagonist. As expected, he brings his tradem...

How to Make a Killing (2026)

How to Make a Killing (2026) is written and directed by John Patton Ford and released by A24 . The film clearly aims for sharp satire and quirky character study, but it never fully commits to being as biting or unhinged as it wants to be. It plays like an oven mitt version of American Psycho , handling similar themes of ego and moral decay but with far less edge. Glen Powell , known for Top Gun: Maverick and Anyone But You , delivers a decent performance. He has natural charisma and screen presence, and he carries the film capably, but the script never gives him the psychological depth needed to make the character truly interesting. Margaret Qualley , recognized for Kinds of Kindness  and Once Upon a Time in Hollywood , feels like she is playing a variation of the same character she often portrays. She is effective, but there is little new here in terms of range or transformation. Jessica Henwick , known for Cuckoo and Glass Onion , gives the strongest performance of the tri...