Skip to main content

Napoleon (2023)

 

Napoleon is an epic that goes through the rise and eventual fall of famous French Emperor Napoleon Bonaparte played by Joaquin Phoenix. 

Directed by Ridley Scott, the film doesn't have acts like what you'd expect from a story but instead just goes back and forth from wartime to love time with Napoleon's love Josephine. The film is wonderfully directed and choreographed. Full immersion included. This wasn't the first time we had seen Scott and Phoenix work together as they had done Gladiator twenty-three years before.

Phoenix has a range that could have been tapped into better. He kept a very stern look on his face, and perhaps that was what Napoleon was like. It's not very cinematic and felt more biographical even though there was no attempt at an accent. His on-screen chemistry with Vanessa Kirby is very much there and he knows how to command a room with just his presence, something I imagine Napoleon was able to do. Speaking of Vanessa Kirby, she is at the time of writing my favorite actress working in Hollywood. She's not only gorgeous to look at but she has a way of playing both strong and vulnerable women. 

The film is long, with trailers, I was at the theater for over three hours. I heard there was going to be a four-hour directorial cut that Scott has become known for with Blade Runner. I don't feel the need to watch the four-hour cut. Even though it's long, the production, acting, and immersion help. Result: B




Comments

Popular posts from this blog

Psycho Killer (2026)

Psycho Killer (2026) is a religious-tinged detective thriller that leans far more into procedural tension than outright horror. Directed by Gavin Polone , who is better known as a producer than a filmmaker, the movie benefits heavily from its screenplay by Andrew Kevin Walker , the writer behind Se7en . His fingerprints are all over this. The writing is sharp, layered with foreshadowing that only fully clicks at the end, and structured in a way that constantly feels like it is building toward something inevitable. The gorgeous  Georgina Campbell plays the detective tracking down the titular killer, and she carries the film with confidence. You'll remember her from Barbarian and recently Cold Storage.  The script gives her plenty of emotional range to explore, from controlled professionalism to visible cracks under pressure. She handles the lore-heavy exposition well and grounds what could have been overwhelming backstory. It is another strong showing for her and proof she c...

Dracula (2026)

Dracula (2026) is written and directed by Luc Besson , and it feels like a filmmaker trying to modernize a classic myth while chasing a younger audience. The film is hyperactive in its editing, filled with quick cuts that rarely let a scene breathe. It is hard not to compare that to the more confident pacing of The Fifth Element , which trusted its style and performances to carry attention without frantic cutting. Here, the editing feels almost desperate at times. Caleb Landry Jones takes on the title role and uses a very odd accent that feels like a deliberate directorial choice. He also leans heavily into overacting, pushing expressions and line delivery to theatrical extremes. In Three Billboards Outside Ebbing, Missouri , he was more subdued and forgettable in a supporting role. Here he is front and center, and the performance is certainly memorable, just not always in a good way. Christoph Waltz plays the priest positioned as the protagonist. As expected, he brings his tradem...

Scream 7

Scream 7 (2026) marks the return of Kevin Williamson , the original writer of Scream , now stepping back in to write and direct. The result is a sequel that feels closer in spirit to the franchise’s roots. It balances meta commentary with straightforward slasher brutality and, for the most part, it works. Neve Campbell returns as Sidney Prescott and immediately grounds the film. Her presence alone gives the story weight, and the script wisely centers her instead of sidelining her. There are a few cameos from figures in Sidney’s past that longtime fans will appreciate, and while some feel more nostalgic than necessary, they never fully derail the pacing. Also, she's not past her prime. Isabel May , known for 1883 and Alexa & Katie , steps into a major role and holds her own as Sidney's daughter. She brings a modern energy without feeling like a forced replacement, and her dynamic with Campbell adds tension that feels organic rather than manufactured. The violence is tu...