Skip to main content

V/H/S/85 (2023)


V/H/S/85 is a collection of short horror films like the few before this.

Segment one had a methodical buildup but really lacked scary moments. There were some tense moments with a bit of gore; if that's your cup of tea, then you'll enjoy this one. Also, the character development was better than the second. 

Segment two went from lackluster to crazy really quick. It had a worthwhile ending, although its pacing could have been better. The buildup is more of a rug being pulled under your feet, leaving an overall sour taste in my mouth. 

Segment three starts off preachy, boring, and uninspired. The VR headset looks too modern to be from 1985 because remember Nintendo's Virtual Boy headset from 1995? This one appears more modern than that. The audience in segment three looks as bored as I was watching this. The monster, I won't say what its name is, looks incredibly dumb. Segment three was the worst. 

Segment four had an interesting connection to segment one, but this segment alone could have been made into a feature-length film if they had put more time and thought into it. It was short and lacked a lot of scary moments, it just had a lot of guns and blood.

Segment five had the most gore and intrigue. The characters seem realistic for the setting but were sort of caricatures of how people imagined people in that period would act. The director was Gigi Saul Guerrero which comes as no surprise that she outdoes the rest of the shorts. The best segment goes to a female director as well as the worst with segment three, also a female director. 

I enjoyed V/H/S/85 for what it was. It's another solid anthology film from Shudder. Sure it had a bad segment but it was sandwiched between some good ones. Result: B-.

Comments

Popular posts from this blog

The Super Mario Galaxy Movie (2026)

The Super Mario Galaxy Movie is directed by Aaron Horvath , Michael Jelenic , and Pierre Leduc , with a script by Matthew Fogel , who also worked on The Super Mario Bros. Movie . This sequel brings back the core cast while expanding the universe significantly, pulling in fan-favorite characters like Fox McCloud , Rosalina , Bowser Jr. , and Yoshi . The film leans heavily into spectacle, bouncing rapidly from one set piece to another. It often feels like a chain of “and then” moments, stitched together with references to the games rather than a tightly constructed narrative. Chris Pratt , known for Guardians of the Galaxy and Jurassic World , returns as Mario and delivers a similar performance to the first film. He remains serviceable in the role, but the script doesn’t give him much room to grow this time around. Mario feels more like a vehicle to move the audience through the different worlds rather than a character with a meaningful arc. Anya Taylor-Joy , known for The Queen’s Ga...

Civil War (2024)

  Civil War is a journey across the eastern United States during a hypothetical civil war. Alex Garland wrote and directed the film. I was worried there would be too much of a political message in the film but really the message was so muted and delved into the story of Lee and Jessie. There are undertones of who is right and who is wrong in Garland's opinion but I was glad he kept it from being the story. It seems he's learned his lesson from his 2022 film Men. I'm glad to see him branching out from science fiction but Ex Machina and Annihilation were his best movies. Kirsten Dunst  plays Lee the main character and the manifestation of jaded experience. She's seen war, suffering, and horrible things. She wants to protect Jessie just because of how polar opposite Jessie is as the manifestation of innocence. The makeup even shows how dead Lee looks in the eyes with the first close-up. You'll remember her as MJ from Spider-Man . Cailee Spaeny  plays Jessie and despite...

Whistle (2026)

Whistle (2026) plays less like a finished horror film and more like a theater kid’s passion project that somehow made it to the screen. The script tries to build emotional investment in the main character but never succeeds, and the horror elements are almost nonexistent. The scares simply are not there, leaving the film feeling hollow for a genre that depends heavily on tension and payoff. The screenplay comes from Owen Egerton , whose work here feels more like a personal self insert than a fully realized character.  The protagonist, played by Dafne Keen , comes across almost like a gender swapped version of the writer himself. Keen, known for Logan and His Dark Materials , tries to bring intensity to the role but the material gives her very little to work with. The direction from Corin Hardy , who previously directed The Nun , feels restrained by the script. It is hard not to feel a bit bad for him because there is only so much a director can do when the writing does not provi...