Skip to main content

V/H/S/85 (2023)


V/H/S/85 is a collection of short horror films like the few before this.

Segment one had a methodical buildup but really lacked scary moments. There were some tense moments with a bit of gore; if that's your cup of tea, then you'll enjoy this one. Also, the character development was better than the second. 

Segment two went from lackluster to crazy really quick. It had a worthwhile ending, although its pacing could have been better. The buildup is more of a rug being pulled under your feet, leaving an overall sour taste in my mouth. 

Segment three starts off preachy, boring, and uninspired. The VR headset looks too modern to be from 1985 because remember Nintendo's Virtual Boy headset from 1995? This one appears more modern than that. The audience in segment three looks as bored as I was watching this. The monster, I won't say what its name is, looks incredibly dumb. Segment three was the worst. 

Segment four had an interesting connection to segment one, but this segment alone could have been made into a feature-length film if they had put more time and thought into it. It was short and lacked a lot of scary moments, it just had a lot of guns and blood.

Segment five had the most gore and intrigue. The characters seem realistic for the setting but were sort of caricatures of how people imagined people in that period would act. The director was Gigi Saul Guerrero which comes as no surprise that she outdoes the rest of the shorts. The best segment goes to a female director as well as the worst with segment three, also a female director. 

I enjoyed V/H/S/85 for what it was. It's another solid anthology film from Shudder. Sure it had a bad segment but it was sandwiched between some good ones. Result: B-.

Comments

Popular posts from this blog

Reminders of Him (2026)

Reminders of Him (2026) is directed by Vanessa Caswill and written by Colleen Hoover and Lauren Levine . The film clearly aims for an emotional romantic drama, but it struggles early on trying to manufacture relationship development and sexual tension. Much of the setup feels forced, stretching how people actually behave in relationships and leaning heavily into "fantasy" romance rather than something believable. Maika Monroe , known for It Follows and Longlegs , gives a decent performance with the material she is given. She sells the emotional weight of the character fairly well, but the script often puts her in situations that feel more engineered for melodrama than natural storytelling. Tyriq Withers , recognized from I Know What You Did Last Summer and Him , tries to bring sincerity to the role, but the lack of chemistry between the leads makes the central relationship difficult to buy. He does what he can, though the screenplay never gives the romance enough authe...

Project Hail Mary (2026)

Project Hail Mary (2026) is based on the novel by Andy Weir,  who brought you The Martian,  and directed by the duo Phil Lord and Christopher Miller , known for The Lego Movie and 21 Jump Street . They bring a surprising amount of heart and clarity to a story that could have easily become too technical or isolated. The film balances science, humor, and emotion well, never losing focus even when it narrows down to one man against impossible odds. Ryan Gosling , known for Blade Runner 2049 and La La Land , delivers a flawless performance. He carries much of the film alone, forced to express a wide range of emotions without always having another actor to bounce off of. It is a demanding role and he handles it effortlessly, making the isolation feel real without ever losing the audience’s attention. James Ortiz plays the alien, which is not a spoiler given the marketing. His performance brings personality and charm to a character that could have easily felt gimmicky. The in...

Whistle (2026)

Whistle (2026) plays less like a finished horror film and more like a theater kid’s passion project that somehow made it to the screen. The script tries to build emotional investment in the main character but never succeeds, and the horror elements are almost nonexistent. The scares simply are not there, leaving the film feeling hollow for a genre that depends heavily on tension and payoff. The screenplay comes from Owen Egerton , whose work here feels more like a personal self insert than a fully realized character.  The protagonist, played by Dafne Keen , comes across almost like a gender swapped version of the writer himself. Keen, known for Logan and His Dark Materials , tries to bring intensity to the role but the material gives her very little to work with. The direction from Corin Hardy , who previously directed The Nun , feels restrained by the script. It is hard not to feel a bit bad for him because there is only so much a director can do when the writing does not provi...