Skip to main content

It Lives Inside (2023)

 


It Lives Inside is a low-budget horror film about a demonic Indian spirit. 

Written and directed by Bishal Dutta for a modern audience. I imagine he draws upon personal experiences for a film like this. I'm not talking about the demonic part but perhaps fitting into the US education system. There were some progressive talking points that seemed wedged into the film, the main character even talks about homogeneous cultures at one point with her teacher. There were some good empathetic scenes once the introductions were over, especially about going against your mother's wishes to go to a party with someone she wouldn't approve of. 

Megan Suri plays the main character Sam. She's infatuated with Russ played by Gage Marsh. He's probably best known for being in Batwoman the TV show. You might remember Megan from a movie called Missing. She does a pretty good job here since she's given a lot to work with. Dutta has some good horror moments for her to work with which for a horror movie is a must-have. Her character does suffer from looking like a 20-something because she is.

The movie suffers from having stereotypical characters in the over-protective mother and lackadaisical father. The mother is played by the gorgeous Neeru Bajwa. I haven't seen her in anything before but she has been in a lot of Bollywood movies. 

The movie really starts to pick up in the second and third acts if you stick with it. It has a few good scares but the demon-monster itself could have been better. Result: C+


Comments

Popular posts from this blog

Psycho Killer (2026)

Psycho Killer (2026) is a religious-tinged detective thriller that leans far more into procedural tension than outright horror. Directed by Gavin Polone , who is better known as a producer than a filmmaker, the movie benefits heavily from its screenplay by Andrew Kevin Walker , the writer behind Se7en . His fingerprints are all over this. The writing is sharp, layered with foreshadowing that only fully clicks at the end, and structured in a way that constantly feels like it is building toward something inevitable. The gorgeous  Georgina Campbell plays the detective tracking down the titular killer, and she carries the film with confidence. You'll remember her from Barbarian and recently Cold Storage.  The script gives her plenty of emotional range to explore, from controlled professionalism to visible cracks under pressure. She handles the lore-heavy exposition well and grounds what could have been overwhelming backstory. It is another strong showing for her and proof she c...

Cold Storage (2026)

Cold Storage (2026) is a sci fi horror thriller that surprised me in a good way. The writing is solid enough that it actually calmed some of my worries about Disclosure Day coming later this year since the same writer is involved. The story holds together and stays engaging, even when the visuals do not. The CG is laughably bad at times, but the acting/chemistry keeps the movie watchable. Jonny Campbell directs, with the screenplay by David Koepp , known for Jurassic Park and Spider-Man . His writing here is tighter than expected, which is why it gives me more confidence about Disclosure Day. The direction is straightforward and lets the script do most of the work, even if the effects budget clearly limits what can be shown on screen. He needs a redemption after  Indiana Jones and the Crystal Skull. Joe Keery , known for Stranger Things and Free Guy , is the main reason I showed up. He proves he can handle a leading role after Stranger Things and carries the film with a relax...

Crime 101 (2026)

Crime 101 (2026) is a crime thriller that checks the basic boxes of what should work, but the writing never tightens enough to make it compelling. It hits familiar beats, runs longer than it should, and never quite earns its tension. It feels like a good movie outline stretched into a full runtime. Bart Layton , known for American Animals and The Imposter , directs, and his uneven filmography shows here. The structure is serviceable, but the pacing drags and the scenes lack urgency. The direction is competent without being memorable, and the film never finds a sharp identity. Chris Hemsworth , known for Thor and Extraction , plays the reclusive criminal at the center of the story. He tries to lean into a quieter, more internal performance, but he does not fully sell the damaged foster child mentality the script is aiming for. The performance feels like an attempt rather than a transformation. Mark Ruffalo , recognized for Spotlight and The Avengers , feels like he is on autopilo...