Skip to main content

Indiana Jones and the Dial of Destiny (2023)

 


Indiana Jones and the Dial of Destiny is the latest and perhaps the last venture of the titular character.

James Mangold has had some really good movies in the past with films like Ford v Ferrari, Logan, 3:10 to Yuma, and Girl, Interrupted. This isn't one of them. In terms of direction, there were some intentional shots that hid the inability of our female lead to do stunts. The film has to hide its lack of substance with long chase scenes and with a lesser director it would have been a much worse film.

Harrison Ford goes through the motions. He's old and it shows, he also seems to have little to no chemistry with his female lead. There was some de-aging that many people will think is great, but I found it to be off-putting and still not ready for the mainstream.

Phoebe Waller-Bridge is the worst part of the film. She's insufferable and the writers Jez Butterworth, John-Henry Butterworth, and David Koepp force her down our throats. Her dialogue is girl-boss and Karen-esque. The Butterworths probably wrote more of the action beats since they're known for Edge of Tomorrow and Ford v Ferrari, or they were just there for Mangold. I think the fault should lie with Koepp who wrote The Kingdom of the Crystal Skull.

The more I think of this movie the worse my rating gets. It's still better than some films this year but it's a D+ at best for me.

Comments

Popular posts from this blog

Paw Patrol: The Dino Movie (2026)

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

The End of Oak Street (2026)

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...