Skip to main content

Indiana Jones and the Dial of Destiny (2023)

 


Indiana Jones and the Dial of Destiny is the latest and perhaps the last venture of the titular character.

James Mangold has had some really good movies in the past with films like Ford v Ferrari, Logan, 3:10 to Yuma, and Girl, Interrupted. This isn't one of them. In terms of direction, there were some intentional shots that hid the inability of our female lead to do stunts. The film has to hide its lack of substance with long chase scenes and with a lesser director it would have been a much worse film.

Harrison Ford goes through the motions. He's old and it shows, he also seems to have little to no chemistry with his female lead. There was some de-aging that many people will think is great, but I found it to be off-putting and still not ready for the mainstream.

Phoebe Waller-Bridge is the worst part of the film. She's insufferable and the writers Jez Butterworth, John-Henry Butterworth, and David Koepp force her down our throats. Her dialogue is girl-boss and Karen-esque. The Butterworths probably wrote more of the action beats since they're known for Edge of Tomorrow and Ford v Ferrari, or they were just there for Mangold. I think the fault should lie with Koepp who wrote The Kingdom of the Crystal Skull.

The more I think of this movie the worse my rating gets. It's still better than some films this year but it's a D+ at best for me.

Comments

Popular posts from this blog

K-Pop: Demon Hunters (2025)

K-Pop: Demon Hunters follows a girl group who balance battling demons by night with pop stardom by day, but the concept ends up more exhausting than exciting. Directed by first-time director  Maggie Kang , best known for being in the art department for  The Lego Ninjago Movie , the film leans hard into a hyper-stylized, neon-soaked aesthetic but forgets to bring anything fresh. The animation is polished, but the visual style feels borrowed from better films. The pacing drags even during the action scenes. It is more concerned with selling attitude than building stakes. Arden Cho , known for Teen Wolf and Partner Track , voices the group’s leader and brings charisma to the role, but the script doesn't give her much to work with. She has strong delivery and presence, but the character is more wish-fulfillment than fully realized. May Gong , in her first major role, fits the energy of the film and brings a youthful vibe. She holds her own in the group dynamic but is often sid...

M3GAN 2.0 (2025)

M3GAN 2.0 continues the story of the world’s most dangerously sassy AI doll, picking up after the first film's events with a new host, new threats, and a few more upgrades. Directed by Gerard Johnstone , returning from the original M3GAN , the film keeps the same sleek look and dark humor, but the energy isn’t quite the same. The scares are toned down, the satire feels more obvious, and the plot plays it safer this time. It’s still well paced and visually sharp, just not as punchy or fresh as before. Violet McGraw , reprising her role from the first film, shows a bit more range this time. She handles the trauma beats well and sells the emotional moments, even when the script leans a bit cheesy. She’s growing as an actress, and it shows. Allison Williams , best known for Get Out and Girls , returns and feels more like a supporting character this time. She’s fine, just not given much to do besides react to the new version of M3GAN and deliver exposition. Still, she’s a steady pr...

Jurassic World: Rebirth (2025)

Jurassic World: Rebirth attempts to relaunch the franchise with a fresh cast and setting, but it ends up feeling like a commercial in search of a plot. Directed by Gareth Edwards , known for Rogue One and Godzilla , the film is filled with baffling creative choices. There’s product placement in almost every scene, and most of the action sequences are over-edited and underwhelming. Edwards seems more interested in drone shots and branding than tension or logic. Written by David Koepp , who once gave us Jurassic Park and Mission: Impossible , the script is shockingly clumsy. The dialogue is flat, the pacing is off, and the characters regularly make decisions that would embarrass even the worst horror movie victims. It’s hard to believe the same writer once helped build this universe. The film is basically Aliens  but with dinosaurs. Scarlett Johansson , known for Marriage Story and Black Widow , stars but seems like she’s checked out. Her performance lacks the spark she once h...