Skip to main content

Knock at the Cabin (2023)

 


Knock at the Cabin is about four people, all with a collective vision of the apocalypse, who take a family hostage and give them the ultimate decision to make.

Director M. Night Shyamalan brings a certain flair to the film. You know him from Six Sense, Split, and probably my favorite of his, Signs. I have only minor issues with his direction and it's mostly at the beginning with the dialogue scenes between the main villain and the child. There's nothing that really stands out in a positive way as the movie is very safe for a Shyamalan film in terms of direction. Also, I want to note this is not a horror film in any way. It's a thriller.

Writing on the other hand he shares with Steve Desmond and Michael Sherman, both relative newcomers to the screenplay scene, who won plenty of awards for their short film Monsters. The writing has some good notes and some bad ones. Let's start with the bad ones. The film fails to make a convincing argument for this apocalypse being a hoax and leans heavily into it being real. Most audience members would feel disappointed if there wasn't a true sense of impending doom. Also making the audience feel right about their intuition can be a good thing, the audience also has different expectations coming from Shyamalan.

Dave Batista is really trying to break out from his meat-head muscle-bound type cast. I'd say he's working on it and moving in the right direction with this film. I wouldn't say I'd go out of my way to see a Batista film, but he's moving the dial. He plays the leader of the four hostage-takers. I won't say more, but if you've watched the trailer it's already spoiled it for you. If I were you I'd avoid trailers for this movie.

In terms of acting Ben Aldridge stood out to me as someone who was putting as much into this film as Batista was. He acted in Pennyworth as Thomas Wayne. He plays a very fierce and loving father/husband. He plays the person you expect to man up in a hostage situation and make the tough decisions when it counts. I enjoyed his performance.

All in all the film delivers an enjoyable hour and forty minutes despite safe direction and questionable writing. I say questionable because this movie will hit differently for specific audiences. Because of that, I can't recommend it to everyone. I still enjoyed the film and it's still a solid B.



Comments

Popular posts from this blog

Wuthering Heights (2026)

Wuthering Heights is directed by Emerald Fennell , known for Promising Young Woman and Saltburn , and opens with a striking image that immediately signals this will not be a conventional adaptation of the classic novel. The film remains faithful to several of the book's narrative choices, particularly in how it lingers on the characters' early years before fully embracing the central tragedy. While this approach accurately reflects the source material, the pacing occasionally suffers, with several montages and extended childhood sequences lasting longer than necessary. One element that works especially well is the portrayal of Catherine and Heathcliff's adoptive father, whose volatile temper contrasts sharply with the affection he shows the two children, echoing one of the novel's stronger character dynamics. Margot Robbie , known for Barbie and I, Tonya , delivers one of the strongest performances of her career as Catherine. She captures the character's passio...

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

Citizen Vigilante (2026)

Citizen Vigilante is written and directed by Uwe Boll , a filmmaker whose work has always been divisive, and this film continues that trend. The movie tackles issues surrounding immigration, social tensions, and public frustration, themes that have been prominent throughout the decade. Surprisingly, the film often approaches these subjects from a perspective that many viewers may not expect from a major studio release. While the political themes are front and center, the larger issue is that the writing struggles to make the world and its characters feel believable. Conversations often lack the natural reactions people would have in real life, particularly younger characters who accept lectures and speeches with very little resistance or personality. Armie Hammer , known for The Social Network and The Man from U.N.C.L.E. , plays the vigilante and spends much of the film using a gravelly, Batman-inspired voice. He commits fully to the role, and his physical presence works well for th...