Skip to main content

Ant-Man and the Wasp: Quantumania (2023)

 


Ant-Man and the Wasp: Quantumania is the third film for Ant-Man and the first part of phase five of Marvel's Cinematic Universe.

Directed by Peyton Reed, the same director for the first two films and modern comedy classics like Yes Man and 2000s Bring it On. It's difficult to get performances out of actors when all they can see is a green screen. Because of the volume of visual effects in this movie, it felt many times that the actors didn't know what was going on around them, which was a stark contrast from the first two Ant-man movies. 

Written by Jeff Loveness, who is known for being Jimmy Kimmel's writer. Something I don't think most people would think is a good recommendation. The misfiring of the writing is felt when the comic relief doesn't land for half of the jokes. Don't get me wrong there was laughter in the theater but not due to the writing, instead just of how ridiculous MODOK looked.

Paul Rudd really phones it in on this performance. It feels like his character hasn't had any growth in the other two films and doesn't know the basics of how to be a good parent. Something he is constantly reminded of.

People said Johnathan Major's Kang was the best part of the film, and they're right but his performance was overhyped. It was acceptable at best and as far as the comic book side of things no way would the ending make sense.

The CGI is lacking for the year it was released. Everything looks fake and unbelievable but since everything looks so similar it has a flair to it that reminds you, oh you're in this fairy tale place and not reality.

People make weird decisions that don't make sense for a character who is supposed to be super-smart. I don't want to get into spoilers. If you've seen how the ending for other modern agenda-driven stories has in the past you'll see the ending coming a mile away. Just look at the tropes of The Batman, Moon Knight, Hawkeye, and Loki, then see what sort of connective tissue they all have.

I have a feeling Dungeons and Dragons will have the same problem and just be an Okay film. Result: C+


Comments

Popular posts from this blog

Hadestown: The Musical (2026)

Hadestown: The Musical is a filmed stage production that takes the audience through the Greek myth of Orpheus and Eurydice with a distinctly modern theatrical style. The first act is considerably weaker than the second, taking longer to find its rhythm and emotional footing. Fortunately, the production improves significantly as it progresses, with several performances becoming more effective the longer they are on stage. While the production has plenty of talent behind it, it never reaches the level of theatrical excellence found in Hamilton or Beetlejuice , leaving me feeling that I've seen stronger musicals. Amber Gray grows considerably into the role of Persephone. Her performance takes some time to click during the first act, but by the second act she becomes one of the production's most compelling performers. Eva Noblezada is excellent from beginning to end as Eurydice, providing the consistency and emotional weight that the production needs. She gives the character a ...

Agent Zero (2026)

Agent Zero is an attempt to deliver a female-led espionage action thriller, but unfortunately it comes across as boring and intentionally slow in an effort to make the action sequences feel more impactful. The problem is that the action is so poorly delivered that none of the payoff feels rewarding. Guillaume de Fontenay does a good job framing his scenes, but everything has the appearance of a first take, lacking the polish and energy needed to make the slower pacing work. The film spends so much time building toward its action that when it finally arrives, it rarely feels worth the wait. Marine Vacth plays her own version of Salt or Jason Bourne , portraying a highly capable operative who maintains a consistently quiet demeanor. Unfortunately, the character's attitude comes across as bitter rather than cool or mysterious. Vacth commits to the role, but the performance is restrained to the point of becoming monotonous, making it difficult to connect with the character or care ...

Ice Cream Man (2026)

Ice Cream Man is written and directed by Eli Roth , and while there is a decent story underneath everything, the execution leaves a lot to be desired. The film does have a twist ending, although it's one most viewers will probably see coming well in advance. The biggest problem is the CGI, which is frequently distracting and looks noticeably cheap. Roth has even acknowledged using ai to help "bring his vision for the film to life," and unfortunately, that decision is difficult to ignore when looking at the finished product. There are so many strange creative choices throughout the movie that I repeatedly found myself wondering what the writers were thinking. Charlie Zeltzer is tasked with carrying much of the film as one of the few children who manages to avoid being captured by the Ice Cream Man. He does a respectable job considering how much responsibility is placed on him, and he provides much of the emotional center of the story. It's not an easy role for a youn...