Ant-Man and the Wasp: Quantumania (2023)

Ant-Man and the Wasp: Quantumania is the third film for Ant-Man and the first part of phase five of Marvel's Cinematic Universe.

Directed by Peyton Reed, the same director for the first two films and modern comedy classics like Yes Man and 2000s Bring it On. It's difficult to get performances out of actors when all they can see is a green screen. Because of the volume of visual effects in this movie, it felt many times that the actors didn't know what was going on around them, which was a stark contrast from the first two Ant-man movies.

Written by Jeff Loveness, who is known for being Jimmy Kimmel's writer. Something I don't think most people would think is a good recommendation. The misfiring of the writing is felt when the comic relief doesn't land for half of the jokes. Don't get me wrong there was laughter in the theater but not due to the writing, instead just of how ridiculous MODOK looked.

Paul Rudd really phones it in on this performance. It feels like his character hasn't had any growth in the other two films and doesn't know the basics of how to be a good parent. Something he is constantly reminded of.

People said Johnathan Major's Kang was the best part of the film, and they're right but his performance was overhyped. It was acceptable at best and as far as the comic book side of things no way would the ending make sense.

The CGI is lacking for the year it was released. Everything looks fake and unbelievable but since everything looks so similar it has a flair to it that reminds you, oh you're in this fairy tale place and not reality.

People make weird decisions that don't make sense for a character who is supposed to be super-smart. I don't want to get into spoilers. If you've seen how the ending for other modern agenda-driven stories has in the past you'll see the ending coming a mile away. Just look at the tropes of The Batman, Moon Knight, Hawkeye, and Loki, then see what sort of connective tissue they all have.

I have a feeling Dungeons and Dragons will have the same problem and just be an Okay film. Result: C+

Comments

F1: The Movie (2025)

F1: The Movie follows a veteran driver coming out of retirement to mentor a young rookie while trying to prove he still belongs on the track. Directed by Joseph Kosinski , known for Top Gun: Maverick and Tron: Legacy , the film is clean, polished, and loaded with style. But with Jerry Bruckheimer producing, it leans more into spectacle than subtlety. You can feel the Bruckheimer DNA in every dramatic slow-mo, thunderous soundtrack cue, and pit-lane explosion. That’s not a bad thing. It just feels more like his movie than Kosinski’s. Brad Pitt , fresh off Bullet Train and still riding the wave from Once Upon a Time in Hollywood , plays the aging driver with charm and edge. He’s believable behind the wheel and sells the physical and emotional wear of someone who’s spent too long chasing speed. It’s one of his more grounded roles in years, and he pulls it off without trying too hard. Damson Idris , known for Snowfall, of which I own the comic , plays the rookie and brings a mix of ...

K-Pop: Demon Hunters (2025)

K-Pop: Demon Hunters follows a girl group who balance battling demons by night with pop stardom by day, but the concept ends up more exhausting than exciting. Directed by first-time director Maggie Kang , best known for being in the art department for The Lego Ninjago Movie , the film leans hard into a hyper-stylized, neon-soaked aesthetic but forgets to bring anything fresh. The animation is polished, but the visual style feels borrowed from better films. The pacing drags even during the action scenes. It is more concerned with selling attitude than building stakes. Arden Cho , known for Teen Wolf and Partner Track , voices the group’s leader and brings charisma to the role, but the script doesn't give her much to work with. She has strong delivery and presence, but the character is more wish-fulfillment than fully realized. May Gong , in her first major role, fits the energy of the film and brings a youthful vibe. She holds her own in the group dynamic but is often sid...

M3GAN 2.0 (2025)

M3GAN 2.0 continues the story of the world’s most dangerously sassy AI doll, picking up after the first film's events with a new host, new threats, and a few more upgrades. Directed by Gerard Johnstone , returning from the original M3GAN , the film keeps the same sleek look and dark humor, but the energy isn’t quite the same. The scares are toned down, the satire feels more obvious, and the plot plays it safer this time. It’s still well paced and visually sharp, just not as punchy or fresh as before. Violet McGraw , reprising her role from the first film, shows a bit more range this time. She handles the trauma beats well and sells the emotional moments, even when the script leans a bit cheesy. She’s growing as an actress, and it shows. Allison Williams , best known for Get Out and Girls , returns and feels more like a supporting character this time. She’s fine, just not given much to do besides react to the new version of M3GAN and deliver exposition. Still, she’s a steady pr...

Movies, Film, and Chili

Search This Blog