Skip to main content

Emily the Criminal (2022)

 


Emily the Criminal is about the downward spiral of a woman with nowhere else to turn but a life of crime.

John Patton Ford first film for which he has both writing and directing credits. I was genuinely surprised by this film. I didn't know what to expect from Ford and I only saw the film because of the lead. It's got really good pacing and camera choices. Also how he wrote Emily was perfect. The story sort of dragged a bit towards the end and the ending was predictable.

Emily is played by Aubrey Plaza for whom I have glowing regard. I'll watch pretty much anything she comes out with as long as she keeps putting out movies like this. She plays the character really well. She does what she can with the dialogue that has her on one note the entire time. You'd expect a negative character arch with a title like this and yet you'll still end up rooting for her. Empathy goes a long way. You might know Plaza from Safety Not Guaranteed, and Parks and Recreation.

Theo Rossi is in this movie and stereotypically typecasted as a criminal. He does a pretty good job, but there's not too much to his character other than being a connection to Emily. It's nothing wrong with Rossi, it's more so a writing issue. I remember him from Luke Cage and Army of the Dead but you might know him from Sons of Anarchy

All writing issues aside I still enjoyed the movie. It's solid and good. I have no doubts about giving this movie a B.



Comments

Popular posts from this blog

Idiots (2026)

Idiots is written and directed by Macon Blair , who also has a small role in the film. The movie feels like Pineapple Express with more character development but worse pacing. There are some genuinely funny scenes that made me laugh out loud, and for a comedy, that's ultimately what it should be aiming for. Blair clearly understands how to write absurd situations and characters, but the film has several pacing problems, with scenes that could have been cut without hurting the overall story. When it works, though, the comedy lands and the character development gives the film more substance than expected. Dave Franco , known for Now You See Me and Neighbors , plays the drugged-out, lazy, down-on-his-luck type of character he has played before. He is entertaining in the role, but his character has very little development or arc throughout the story. O'Shea Jackson Jr. , known for Straight Outta Compton and Den of Thieves , gets the stronger character arc between the two and ma...

Insidious: Out of the Further (2026)

Insidious: Out of the Further is written and directed by Jacob Chase , who has made some solid shorts in the past but is making the first major motion picture of his that I've seen. There is very little to criticize about his direction, particularly when it comes to setting up scares. Chase understands how to build tension and makes especially good use of the film's more claustrophobic scenes, creating an uncomfortable atmosphere without relying entirely on cheap jump scares. The direction and horror setup are the film's strongest elements, even if the overall story doesn't quite reach the level needed for a full recommendation. Amelia Eve delivers a performance that feels reminiscent of Naomi Watts in The Ring . She channels that same exhausted and increasingly desperate energy, making her character feel convincing as the supernatural events escalate around her. The performance fits the tone of the franchise well and helps ground the film's more unsettling momen...

The Creator (2023)

The Creator  is a film that once again tries to warn the audience of the dangers of artificial intelligence. Director, Gareth Edwards, seems to only write movies where it's a band of military folks, freedom fighters, or terrorists who against all odds get the job done see: Rogue One: A Star Wars Story, The Creator, and Monsters.  John David Washington was quickly becoming a Hollywood go-to actor, but after the mediocre response to Tenant and now the lack of an audience for The Creator  his bankability is going down. Sure he was great in the Blackkklansman, but it wasn't his acting that made that movie what it was. He has a hard time showing emotion other than stoicism. This might be why he's leaving the action/sci-fi scene and going back to Oscar bait with his next movie: The Piano Lesson. The film suffers from victim mentality, hitting you over the head repeatedly for the first fifteen minutes with how the main character is a victim of artificial intelligence. The film s...