Skip to main content

Glass (2019)

Samuel L. Jackson, Bruce Willis, and James McAvoy in Glass (2019)

Glass is the final in the Unbreakable trilogy. This time Mr. Glass finally sees his masterminded plot to fruition.

Written and directed by M. Night Shyamalan, Glass is about...well it's about these superheroes. They are supposed to be, at least that's the question throughout the film. It's a hesitation that really cuts the film down from being better.

Bruce Willis returns as David Dunn from Unbreakable. He's better in this than he has been as of recent. That's not saying much, he doesn't really do much of importance.

Samuel L. Jackson returns as Mr. Glass who for most of the film he's just sitting there doing nothing. The film is called class but really it's more about James McAvoy's character in the first half of the movie.

James McAvoy plays the same characters from Split. He's great at changing over and switching between them but I got enough of that in Split. After a while, I was just waiting for other characters to do something.

Sarah Paulson is the woman from the trailer who plays a doctor who is trying to help these men see that they are not really superheroes. They build her up a lot but in the end, did she even do anything?

There are spoilers for how and why this film underperforms. There isn't a conclusion to plot points that needed to be finished. It really feels like a half wrapped present that was given to you by someone you don't know. "Uhhh thanks?"

Result: C- It's a disappointment, it has flaws but most of them are in writing and delivery and not direction.

Comments

Popular posts from this blog

Paw Patrol: The Dino Movie (2026)

Paw Patrol: The Dino Movie is another cookie-cutter entry in the Paw Patrol franchise, so there isn't much to say about the story itself. This time, the focus is on Marshall, the team's resident firefighter, or perhaps "firedog" in this case. The movie is wholesome and delivers exactly what you'd expect from a Paw Patrol film, even if it doesn't do much to distinguish itself from the previous entries. Mckenna Grace voices Skye, although you would never know it from the performance. Her voice is so normal for the character that Grace's usual presence is virtually unrecognizable. Terry Crews , on the other hand, voices Alistair Stonewall, and you can definitely tell it's him. His recognizable voice and personality come through clearly and make the character more memorable. Snoop Dogg also makes a fun cameo as Dave, the owner of a yacht who enjoys fishing. It's a small role, but his recognizable voice and personality make it a welcome surprise. T...

The End of Oak Street (2026)

The End of Oak Street starts with Anne Hathaway immediately establishing herself as the film's strongest performer, especially when compared to the wooden performance from Ewan McGregor . The premise of a writer struggling with an unsupportive spouse hits close to home for me. The split-focus direction from David Robert Mitchell isn't particularly new or uniquely executed. Instead, it often feels disorienting without accomplishing what I assume was the intention. Mitchell also struggles with the screenplay, as the dialogue can be atrocious at times and boring the rest of the time. This isn't his first failed attempt at writing interesting characters, which makes it understandable why he hasn't written or directed anything in eight years. Anne Hathaway is easily the best part of the film. She brings enough personality and emotional weight to keep the movie watchable despite the material surrounding her. Unfortunately, even Hathaway can't carry the entire film. Ew...

Sleepwalker (2026)

Sleepwalker is a horror thriller written and directed by Brandon Auman , who quickly reminds us why his career has primarily been in television rather than feature films. Writing for children's television can sometimes get away with simplistic dialogue and storytelling, but those weaknesses become glaring when stretched into a feature-length horror movie. The screenplay is filled with clunky dialogue and predictable horror beats, while the jump scares rarely land. Instead of creating tension, the film repeatedly left me sighing in boredom. Hayden Panettiere delivers a strong performance despite the material she's been given. It's clear that many of her lines weren't written with much care, but she does what she can to make the character feel believable. Knowing this is her final film makes the performance bittersweet, especially because she deserved a much better script to go out on. Fortunately, her performance here doesn't diminish the work she's done in bet...