The Strangers: Prey at Night is the follow up to the 2008 film The Strangers. The premise is pretty much the same except it's at a mobile home park and it's a family of four.
Bryan Bertino did the original and wrote this follow up's screenplay. The dialogue and structure of the film is very 80s horror and throws in a lot of tropes that audiences have come to expect. It's formulaic and predictable if you're an adult. This film is rated R but for some reason, the kills that were used throughout the film were generally muted. Sure there's blood but I left the theater thinking that I saw a PG-13 film.
Johannes Roberts has improved since doing 47 meters down. Don't ask me why that film got a sequel. This man loves his horror films and it shows. There are some camera and editing problems but nothing too major. He used the zoom function of the camera so much in the film. There are parts where I could see intent on how he chose the shot and then others seem random. Randomness is a theme to the film so I suppose there's a connection there.
I wish there was more Christina Hendricks, not just because she was in one of my favorite movies of all time, Drive, but because she can act really well and I felt she was just briefly in the film even though she's credited first.
Daughter of Christina Hendricks was the wonderful Bailee Madison who you'll recognize from the television show Good Witch or The Fosters. I believe, maybe foolishly, but I believe that there was intent on how Kinsey emoted at the beginning of the film. I suppose I should say lack thereof. There is a bigger character arc if at the beginning there are little expressions on an actress's face so that when there's horror there's a drastic change in how the audience sees her. She nails the horror queen, Laurie Strode, scream, and whimpering.
The bigger problems with the acting come from the two males in the film. They were stereotypic with underdeveloped characters and poorly written excuses to separate the family from each other. The choices they make are a roller coaster of fickleness.
I disagree with some of the critics on just how bad of a film most believe it was. It's not that bad. Sure the final scenes are an eye roller and the first ten minutes aren't all that interesting, but I enjoyed the hunt and horror the rest of the film provided. I didn't like it as much as the first but I think Bailee Madison carried the film pretty well.
Result: C (The Ritual is a better choice and you don't have to leave home to watch that horror film.)
Bryan Bertino did the original and wrote this follow up's screenplay. The dialogue and structure of the film is very 80s horror and throws in a lot of tropes that audiences have come to expect. It's formulaic and predictable if you're an adult. This film is rated R but for some reason, the kills that were used throughout the film were generally muted. Sure there's blood but I left the theater thinking that I saw a PG-13 film.
Johannes Roberts has improved since doing 47 meters down. Don't ask me why that film got a sequel. This man loves his horror films and it shows. There are some camera and editing problems but nothing too major. He used the zoom function of the camera so much in the film. There are parts where I could see intent on how he chose the shot and then others seem random. Randomness is a theme to the film so I suppose there's a connection there.
I wish there was more Christina Hendricks, not just because she was in one of my favorite movies of all time, Drive, but because she can act really well and I felt she was just briefly in the film even though she's credited first.
Daughter of Christina Hendricks was the wonderful Bailee Madison who you'll recognize from the television show Good Witch or The Fosters. I believe, maybe foolishly, but I believe that there was intent on how Kinsey emoted at the beginning of the film. I suppose I should say lack thereof. There is a bigger character arc if at the beginning there are little expressions on an actress's face so that when there's horror there's a drastic change in how the audience sees her. She nails the horror queen, Laurie Strode, scream, and whimpering.
The bigger problems with the acting come from the two males in the film. They were stereotypic with underdeveloped characters and poorly written excuses to separate the family from each other. The choices they make are a roller coaster of fickleness.
I disagree with some of the critics on just how bad of a film most believe it was. It's not that bad. Sure the final scenes are an eye roller and the first ten minutes aren't all that interesting, but I enjoyed the hunt and horror the rest of the film provided. I didn't like it as much as the first but I think Bailee Madison carried the film pretty well.
Result: C (The Ritual is a better choice and you don't have to leave home to watch that horror film.)
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