Skip to main content

The Strangers: Prey at Night

The Strangers: Prey at Night is the follow up to the 2008 film The Strangers. The premise is pretty much the same except it's at a mobile home park and it's a family of four.

Bryan Bertino did the original and wrote this follow up's screenplay. The dialogue and structure of the film is very 80s horror and throws in a lot of tropes that audiences have come to expect. It's formulaic and predictable if you're an adult. This film is rated R but for some reason, the kills that were used throughout the film were generally muted. Sure there's blood but I left the theater thinking that I saw a PG-13 film.

Johannes Roberts has improved since doing 47 meters down. Don't ask me why that film got a sequel. This man loves his horror films and it shows. There are some camera and editing problems but nothing too major. He used the zoom function of the camera so much in the film. There are parts where I could see intent on how he chose the shot and then others seem random. Randomness is a theme to the film so I suppose there's a connection there.

I wish there was more Christina Hendricks, not just because she was in one of my favorite movies of all time, Drive, but because she can act really well and I felt she was just briefly in the film even though she's credited first.

Daughter of Christina Hendricks was the wonderful Bailee Madison who you'll recognize from the television show Good Witch or The Fosters. I believe, maybe foolishly, but I believe that there was intent on how Kinsey emoted at the beginning of the film. I suppose I should say lack thereof. There is a bigger character arc if at the beginning there are little expressions on an actress's face so that when there's horror there's a drastic change in how the audience sees her. She nails the horror queen, Laurie Strode, scream, and whimpering.

The bigger problems with the acting come from the two males in the film. They were stereotypic with underdeveloped characters and poorly written excuses to separate the family from each other. The choices they make are a roller coaster of fickleness.

I disagree with some of the critics on just how bad of a film most believe it was. It's not that bad. Sure the final scenes are an eye roller and the first ten minutes aren't all that interesting, but I enjoyed the hunt and horror the rest of the film provided. I didn't like it as much as the first but I think Bailee Madison carried the film pretty well.

Result: C (The Ritual is a better choice and you don't have to leave home to watch that horror film.)


Comments

Popular posts from this blog

Hadestown: The Musical (2026)

Hadestown: The Musical is a filmed stage production that takes the audience through the Greek myth of Orpheus and Eurydice with a distinctly modern theatrical style. The first act is considerably weaker than the second, taking longer to find its rhythm and emotional footing. Fortunately, the production improves significantly as it progresses, with several performances becoming more effective the longer they are on stage. While the production has plenty of talent behind it, it never reaches the level of theatrical excellence found in Hamilton or Beetlejuice , leaving me feeling that I've seen stronger musicals. Amber Gray grows considerably into the role of Persephone. Her performance takes some time to click during the first act, but by the second act she becomes one of the production's most compelling performers. Eva Noblezada is excellent from beginning to end as Eurydice, providing the consistency and emotional weight that the production needs. She gives the character a ...

Agent Zero (2026)

Agent Zero is an attempt to deliver a female-led espionage action thriller, but unfortunately it comes across as boring and intentionally slow in an effort to make the action sequences feel more impactful. The problem is that the action is so poorly delivered that none of the payoff feels rewarding. Guillaume de Fontenay does a good job framing his scenes, but everything has the appearance of a first take, lacking the polish and energy needed to make the slower pacing work. The film spends so much time building toward its action that when it finally arrives, it rarely feels worth the wait. Marine Vacth plays her own version of Salt or Jason Bourne , portraying a highly capable operative who maintains a consistently quiet demeanor. Unfortunately, the character's attitude comes across as bitter rather than cool or mysterious. Vacth commits to the role, but the performance is restrained to the point of becoming monotonous, making it difficult to connect with the character or care ...

Ice Cream Man (2026)

Ice Cream Man is written and directed by Eli Roth , and while there is a decent story underneath everything, the execution leaves a lot to be desired. The film does have a twist ending, although it's one most viewers will probably see coming well in advance. The biggest problem is the CGI, which is frequently distracting and looks noticeably cheap. Roth has even acknowledged using ai to help "bring his vision for the film to life," and unfortunately, that decision is difficult to ignore when looking at the finished product. There are so many strange creative choices throughout the movie that I repeatedly found myself wondering what the writers were thinking. Charlie Zeltzer is tasked with carrying much of the film as one of the few children who manages to avoid being captured by the Ice Cream Man. He does a respectable job considering how much responsibility is placed on him, and he provides much of the emotional center of the story. It's not an easy role for a youn...