The Strangers: Prey at Night

The Strangers: Prey at Night is the follow up to the 2008 film The Strangers. The premise is pretty much the same except it's at a mobile home park and it's a family of four.

Bryan Bertino did the original and wrote this follow up's screenplay. The dialogue and structure of the film is very 80s horror and throws in a lot of tropes that audiences have come to expect. It's formulaic and predictable if you're an adult. This film is rated R but for some reason, the kills that were used throughout the film were generally muted. Sure there's blood but I left the theater thinking that I saw a PG-13 film.

Johannes Roberts has improved since doing 47 meters down. Don't ask me why that film got a sequel. This man loves his horror films and it shows. There are some camera and editing problems but nothing too major. He used the zoom function of the camera so much in the film. There are parts where I could see intent on how he chose the shot and then others seem random. Randomness is a theme to the film so I suppose there's a connection there.

I wish there was more Christina Hendricks, not just because she was in one of my favorite movies of all time, Drive, but because she can act really well and I felt she was just briefly in the film even though she's credited first.

Daughter of Christina Hendricks was the wonderful Bailee Madison who you'll recognize from the television show Good Witch or The Fosters. I believe, maybe foolishly, but I believe that there was intent on how Kinsey emoted at the beginning of the film. I suppose I should say lack thereof. There is a bigger character arc if at the beginning there are little expressions on an actress's face so that when there's horror there's a drastic change in how the audience sees her. She nails the horror queen, Laurie Strode, scream, and whimpering.

The bigger problems with the acting come from the two males in the film. They were stereotypic with underdeveloped characters and poorly written excuses to separate the family from each other. The choices they make are a roller coaster of fickleness.

I disagree with some of the critics on just how bad of a film most believe it was. It's not that bad. Sure the final scenes are an eye roller and the first ten minutes aren't all that interesting, but I enjoyed the hunt and horror the rest of the film provided. I didn't like it as much as the first but I think Bailee Madison carried the film pretty well.

Result: C (The Ritual is a better choice and you don't have to leave home to watch that horror film.)

Comments

Undertone (2026)

Undertone (2026) from A24 is a film that commits almost entirely to tension. From the moment the atmosphere settles in, it rarely lets up. About ninety percent of the runtime is built on sustained unease with very little relief, punctuated by a handful of terror moments. If you are already tense, the movie keeps you there until the credits. Ian Tuason writes and directs, and the film ends up feeling more pretentious than carefully constructed. The movie begins as what looks like a story about a possessed podcast, but it quickly turns into a religious horror film that also tries to make the audience wrestle with themes about abortion. The bait and switch is noticeable, and the narrative focus becomes messy. Several scenes feel directly inspired by Paranormal Activity , sometimes to the point of distraction. Nina Kiri , known for The Handmaid's Tale and the horror film The Heretics , carries the movie as the central character. She plays a very different type of role than her ch...

Him (2025)

Him (2025) is directed by Justin Tipping , best known for Kicks , with Jordan Peele serving as a heavy-handed producer. Despite the talent involved, the film leans into “and then” style writing that feels meandering and leaves the audience more tired than engaged. Marlon Wayans , known for White Chicks and Scary Movie , goes over the top in a way that doesn’t fit the film’s intent, creating more distraction than humor or depth. Tyriq Withers , previously in I Know What You Did Last Summer , turns in an even weaker performance here, offering little in the way of presence or believability. Julia Fox , who gained recognition for Uncut Gems , is strange and out of place, adding little to the narrative. Jim Jefferies , a comedian known for Legit , is barely given anything to work with, and his limited screen time wastes his talent. I found myself bored and not surprised. There is also a bit of sacrilegious writing that might turn off some audiences. Result: C+

Red Sparrow (2018)

Red Sparrow is about a Russian ballerina who must work for her government. Her mission: to get information out of an American who has a mole in the Russian administration. Directed by Francis Lawrence, the same man who brought you The Hunger Games and I am Legend, Lawrence does a great job with the flow of the film. For films that are thrillers and mysteries, the problem is having the audience figure out the ending before the climax. The way the film is edited and used allows a smart audience member to be tricked into thinking it is one person when it was someone else the entire time. Great direction. This, other than Mother! is the hardest role I believe that Jennifer Lawrence has ever done. She has a pretty trying and rather quick transition from ballerina to Jason Bourne , Black Widow , completely-awesome heroine. She is smart and willing to go the distance to make sure that she and her mother are happy. I can't really go into more details without spoiling her chara...

Movies, Film, and Chili

Search This Blog