Skip to main content

The Strangers: Prey at Night

The Strangers: Prey at Night is the follow up to the 2008 film The Strangers. The premise is pretty much the same except it's at a mobile home park and it's a family of four.

Bryan Bertino did the original and wrote this follow up's screenplay. The dialogue and structure of the film is very 80s horror and throws in a lot of tropes that audiences have come to expect. It's formulaic and predictable if you're an adult. This film is rated R but for some reason, the kills that were used throughout the film were generally muted. Sure there's blood but I left the theater thinking that I saw a PG-13 film.

Johannes Roberts has improved since doing 47 meters down. Don't ask me why that film got a sequel. This man loves his horror films and it shows. There are some camera and editing problems but nothing too major. He used the zoom function of the camera so much in the film. There are parts where I could see intent on how he chose the shot and then others seem random. Randomness is a theme to the film so I suppose there's a connection there.

I wish there was more Christina Hendricks, not just because she was in one of my favorite movies of all time, Drive, but because she can act really well and I felt she was just briefly in the film even though she's credited first.

Daughter of Christina Hendricks was the wonderful Bailee Madison who you'll recognize from the television show Good Witch or The Fosters. I believe, maybe foolishly, but I believe that there was intent on how Kinsey emoted at the beginning of the film. I suppose I should say lack thereof. There is a bigger character arc if at the beginning there are little expressions on an actress's face so that when there's horror there's a drastic change in how the audience sees her. She nails the horror queen, Laurie Strode, scream, and whimpering.

The bigger problems with the acting come from the two males in the film. They were stereotypic with underdeveloped characters and poorly written excuses to separate the family from each other. The choices they make are a roller coaster of fickleness.

I disagree with some of the critics on just how bad of a film most believe it was. It's not that bad. Sure the final scenes are an eye roller and the first ten minutes aren't all that interesting, but I enjoyed the hunt and horror the rest of the film provided. I didn't like it as much as the first but I think Bailee Madison carried the film pretty well.

Result: C (The Ritual is a better choice and you don't have to leave home to watch that horror film.)


Comments

Popular posts from this blog

The Running Man (2025)

The Running Man (2025) is directed by Edgar Wright , known for Baby Driver and Hot Fuzz , but this remake lacks the trademark charm, rhythm, and comedic punch that define his best work. The film feels noticeably muted, almost as if Wright was creatively restrained or intentionally holding back, resulting in a tone that is far more conventional than expected from him. The visual flair is still present, but the energy is dialed down and the humor is sparse, creating an experience that feels competent yet oddly subdued. Glen Powell , known for Top Gun: Maverick and Anyone But You , leads the film well and brings his usual charisma to the role. He emotes effectively and fully commits to the character, but the makeup choices surrounding him occasionally distract and left me wondering what the creative team was trying to convey. Still, Powell carries the emotional beats and remains one of the film's strongest assets. Josh Brolin , from No Country for Old Men and Dune , steps comfor...

Christy (2025)

Christy (2025) is directed by David Michôd , known for The King and Animal Kingdom , and written by Mirrah Foulkes , who penned Judy & Punch . While both bring a grounded and deliberate tone to the film, there’s something missing in the pacing and camera. The direction is competent but occasionally flat, leaving certain moments feeling less impactful than they should. Still, the story holds strong thanks to the performances. Sydney Sweeney , known for Euphoria, Anyone But You,  and Madame Web , delivers one of her most mature and layered performances to date. She brings intensity, fragility, and conviction to the title role, proving she’s more than capable of carrying a serious dramatic film. Her emotional control and subtlety make the story believable, even when the writing wavers. Ben Foster , whose work in Hell or High Water and Pandorum  has always stood out, once again shows why he’s one of the most underrated actors working today. His character is despicable, ye...

Frankenstein (2025)

Frankenstein (2025) is directed by Guillermo del Toro , the visionary filmmaker behind Pan’s Labyrinth and The Shape of Water . His style once again blends gothic beauty with emotional storytelling, and his long-awaited take on Frankenstein is everything you’d expect: tragic, poetic, and visually stunning. Del Toro’s passion for monsters and misunderstood souls shines through every frame, making this adaptation both faithful and deeply personal. Oscar Isaac , known for Ex Machina and Dune , gives a grounded and believable performance as the tormented Dr. Frankenstein. He captures the obsession and guilt of a man who has gone too far, balancing intellect with a quiet madness that feels earned rather than exaggerated. Mia Goth , who has proven herself in Pearl and Infinity Pool , continues her run as one of the most mesmerizing modern actors. Her ethereal presence fits perfectly within Del Toro’s world, and she brings depth and vulnerability to a role that could have easily been o...