Skip to main content

The Cloverfield Paradox (2018)

The Cloverfield Paradox is a science fiction film set in the Cloverfield universe where scientists are trying to solve the energy crisis with a hadron collider in space.

I had never heard of the director before today, Julius Onah, and after today I'd say he's competent. The shots he chooses to use are interesting and different. He uses classic shots like in the position of power the person should look down on the weaker and vice versa. Also, I didn't notice any problems with the shots used during dialog. The last shot of the film was the only moment where I tilted my head in wonder as to why he chose that. It posed a lot of questions, which is both good and bad.

The writer is Oren Uziel. He wrote 22 Jump Street and Shimmer Lake and has proven that he can write both science fiction, crime, and comedy. Not many people can say they've done the same. The writing has some problems and I can't really get into spoilers but you'll find yourself asking 'How?' at some of the events that happen which I imagine fanboys will say that it's a paradox, you don't need to understand. As a man of reason and mathematics, I couldn't overlook some of the flaws in the writing. Side note: he's also writing the reboot for Mortal Kombat.

Gugu Mbatha-Raw plays the main character who has lost her children due to a tragic accident. It's a key bit of information that the beginning glosses over due to the writing. It's not a spoiler, and you should know this going in. She is convincing throughout the film and I couldn't find anything wrong with her performance. She can convey messages without having to speak which is key to a great performance. You might recognize her for her brief appearance on a show called Doctor Who.

Daniel Brühl plays Schmidt. I loved his performance in Inglourious Basterds and as Zemo in Captian America: Civil War. His character is interesting enough and has a few scenes with Ziyi Zhang, the woman from Crouching Tiger Hidden Dragon and, my favorite of her performances, Hero. I can't really say too much about what their characters do without spoiling anything but safe to say Brühl does great and Zhang is here to sell the movie to the Chinese audiences. There is a lot of Mandarin spoken in this film.

Result: B- (It's above average, the second movie was much better, and I do look forward to the next) 

Comments

Popular posts from this blog

Idiots (2026)

Idiots is written and directed by Macon Blair , who also has a small role in the film. The movie feels like Pineapple Express with more character development but worse pacing. There are some genuinely funny scenes that made me laugh out loud, and for a comedy, that's ultimately what it should be aiming for. Blair clearly understands how to write absurd situations and characters, but the film has several pacing problems, with scenes that could have been cut without hurting the overall story. When it works, though, the comedy lands and the character development gives the film more substance than expected. Dave Franco , known for Now You See Me and Neighbors , plays the drugged-out, lazy, down-on-his-luck type of character he has played before. He is entertaining in the role, but his character has very little development or arc throughout the story. O'Shea Jackson Jr. , known for Straight Outta Compton and Den of Thieves , gets the stronger character arc between the two and ma...

The Creator (2023)

The Creator  is a film that once again tries to warn the audience of the dangers of artificial intelligence. Director, Gareth Edwards, seems to only write movies where it's a band of military folks, freedom fighters, or terrorists who against all odds get the job done see: Rogue One: A Star Wars Story, The Creator, and Monsters.  John David Washington was quickly becoming a Hollywood go-to actor, but after the mediocre response to Tenant and now the lack of an audience for The Creator  his bankability is going down. Sure he was great in the Blackkklansman, but it wasn't his acting that made that movie what it was. He has a hard time showing emotion other than stoicism. This might be why he's leaving the action/sci-fi scene and going back to Oscar bait with his next movie: The Piano Lesson. The film suffers from victim mentality, hitting you over the head repeatedly for the first fifteen minutes with how the main character is a victim of artificial intelligence. The film s...

Insidious: Out of the Further (2026)

Insidious: Out of the Further is written and directed by Jacob Chase , who has made some solid shorts in the past but is making the first major motion picture of his that I've seen. There is very little to criticize about his direction, particularly when it comes to setting up scares. Chase understands how to build tension and makes especially good use of the film's more claustrophobic scenes, creating an uncomfortable atmosphere without relying entirely on cheap jump scares. The direction and horror setup are the film's strongest elements, even if the overall story doesn't quite reach the level needed for a full recommendation. Amelia Eve delivers a performance that feels reminiscent of Naomi Watts in The Ring . She channels that same exhausted and increasingly desperate energy, making her character feel convincing as the supernatural events escalate around her. The performance fits the tone of the franchise well and helps ground the film's more unsettling momen...