Plan 9 from Outer Space (1959)

Plan 9 from Outer Space is aliens who come to earth to resurrect the dead and use them to kill all the humans to prevent them from creating the ultimate universe-ending bomb.

Known for casting Bela Lugosi and Duke Moore, Edward D. Wood Jr. wrote and directed the film. He uses a lot of stock footage and silly visual effects for the flying saucers. Also, the dialogue is quite goofy but I suppose it was fitting for the time it was released. He generally uses medium takes with stationary camera placement, which was typical of the time. This movie does have the first time I've heard the phrase "Shoot first ask questions later." in it. So that's something.

Bela Lugosi plays an undead monster again. He's not really a vampire but he does have his cape over his face in the impression that he is. He's probably one of the earliest examples of typecasting since he has been in tons of horror films as the villain, Murders in the Rue Morgue, Son of Frankenstein, and White Zombie. This is also Bela Lugosi's last film, he died just before the film was released. His part is oddly short and he's not even the main character, but his name appears first on the poster. Marketing...

I suppose you could say Gregory Walcott is the main character. I've never seen a movie with him in it. It's hard to judge his performance since the acting is all over the place in this film.

Vampira was also in the film. When reading the script she disliked any of her lines. Go figure. She then insisted to the director that her character is mute. I always found it weird that the original ghoul woman was Finnish.

This movie has all the things you want: sexist aliens, mute vampires, period piece idiot coppers, all-white cast, oh and funerals. The movie is so bad it's almost good. It has incompetent dialogue, but laughable performances and acting. It's no wonder with a movie this bad that Wood then went on to direct pornography.

Result: F (This movie pales in comparison, to other films from the decade, in both acting and dialogue.)

Comments

Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...

Movies, Film, and Chili

Search This Blog