Skip to main content

Godzilla: Planet of the Monsters

Godzilla: Planet of the Monsters is about a future where humans have left earth because of Godzilla. They return years later and because of time dilation, Earth has developed more dangerous monsters that dominate the planet.

There are two directors of this anime film. One of which is a man named Hirouki Seshita, where you're probably wondering why he's important. He did the cutscenes for one of my favorite games of all time Final Fantasy X. He also did Final Fantasy VII and I imagine more people like that one but not myself. Cloud is a bit too melodramatic for my tastes.

The other director is Kôbun Shizuno. He worked on the Detective Conan movies which are pretty popular in Japan but not so much here in the States. The direction these two use to use the script to flow the animation is hit or miss in the beginning. I'm mostly just waiting for the diplomacy to get over with and Godzilla to show up. Then again that's pretty much any Godzilla movie.

One of the writers of the film is none other than the legendary Sadayuki Murai who did a little movie called Perfect Blue. If that doesn't ring any bells then maybe the fact that Darren Aronofsky bought the rights to Perfect Blue so that he could draw inspiration for his Oscar-winning movie Black Swan.

Result: B (There are a few boring parts but overall a good Godzilla anime)

Comments

Popular posts from this blog

Star Wars: The Mandalorian and Grogu (2026)

Star Wars: The Mandalorian and Grogu is directed by Jon Favreau , known for Iron Man and Chef , with much of the story influence clearly coming from Dave Filoni , known for Star Wars: The Clone Wars and Ahsoka . Unfortunately, the film falls into the same “and then” style of storytelling that hurts many modern franchise films, where scenes feel stitched together without enough meaningful progression. Entire stretches of the movie, particularly long sequences involving Grogu wandering through a forest, feel padded and lacking purpose. Instead of building momentum, the film drifts from moment to moment without ever creating a compelling central narrative. Pedro Pascal , known for The Last of Us and Narcos , once again plays the Mandalorian, though his presence feels strangely limited. It is difficult not to notice how often the character appears disconnected physically and vocally, giving the impression that Pascal himself may not have been involved in large portions of the performa...

In the Grey (2026)

In the Grey is written and directed by Guy Ritchie , known for Snatch and The Gentlemen , and the film carries all the style and personality audiences expect from him. The dialogue is sharp, the pacing is confident, and the story constantly moves with a sense of swagger that keeps it entertaining throughout. Ritchie once again proves he knows how to make even familiar action setups feel fresh through his direction and character work. Eiza González , known for Baby Driver and Ambulance , plays the beautiful and manipulative lawyer role perfectly. She brings confidence and charisma to every scene, balancing charm with danger in a way that fits naturally into Ritchie’s world. Beyond just looking the part, she fully commits to the character’s aggressive personality and ends up being one of the film’s strongest presences. Henry Cavill , known for Man of Steel and The Witcher , delivers another very likable performance. His natural charm works extremely well here, especially in the fil...

Lee Cronin's The Mummy (2026)

Lee Cronin's The Mummy is directed by surprise-surprise  Lee Cronin , best known for Evil Dead Rise , and his style is immediately recognizable. The film plays less like a traditional Mummy story and more like a modern possession horror with a different skin. It often feels like a “what if Evil Dead involved a mummy,” leaning heavily into familiar genre beats rather than carving out something distinct. The tone prioritizes intensity and shock, with a focus on gore over sustained dread, which keeps it engaging in moments but limits its ability to build true horror. Jack Reynor , known for Midsommar and Sing Street , plays the father figure at the center of the chaos. His performance is solid and grounded, fitting well within the expectations of the genre. He brings a level of sincerity that helps anchor the film, even as the story follows a fairly predictable path. His arc plays out in a way that will feel familiar to anyone who has seen possession films like The Exorcist , but ...