Skip to main content

Cube (1997)

Six strangers are put in a Cube within another larger cube and all these cubes are filled with traps. Without knowing how they got there or who put them there, they all try to escape using...math.

From the director of Splice, Vincenzo Natali, takes a step in a weird direction with this film. It was almost as if the producers at the time were just going with whatever. It's hard to get performances out of anyone in a single location film. The cubes are interesting enough with the shapes and whatnot, as well as the traps that appear in rooms with prime numbers. For whatever reason.

Nicole de Boer plays the main character, Leaven, but you don't know that she's the main character till later. She's good at math, pretty, and in school. I think the director challenged her to become the next Sigourney Weaver, but I doubt there was an intention for a sequel to the film. You might recognize her from Star Trek: Deep Space Nine as Lieutenant Ezri Dax. Her character claims in the movie that finding out if three digit numbers are prime is astronomical in terms of the amount of math you'd have to do. This is false.

Maurice Dean Wint plays what would best be described as the antagonist of the film if you don't consider the cube itself an antagonist. He does a pretty convincing accent but his performance is best described as overacting. He hasn't been in any major film since, at least so far as I know.

The film has an unsatisfying ending and doesn't leave you wanting more, but instead leaves you disappointed that the answer that the film begged you to ask was never answered.

Result: C- (Some of the characters are poorly written, and both the film and the character actions are predictable.)

Comments

Popular posts from this blog

Supergirl (2026)

Supergirl is directed by Craig Gillespie , known for I, Tonya and Cruella , and written by Ana Nogueira . The film attempts to launch a new corner of the DC universe while simultaneously giving Supergirl her own coming of age journey. While the movie does succeed in giving its protagonist a genuine character arc and lays some groundwork for future stories, the script often struggles with dialogue and plot points. Several lines land awkwardly, pulling scenes out of their emotional moments rather than enhancing them. In many cases, the performances feel less at fault than the direction, as stronger takes or rewrites could have improved several key exchanges. Milly Alcock , known for House of the Dragon , carries the film and easily emerges as its greatest strength. She brings vulnerability, confidence, and determination to Supergirl, making the character feel relatable even when the material around her falters. Alcock does everything she can with the dialogue she is given, and her per...

The Death of Robin Hood (2026)

The Death of Robin Hood is written and directed by Michael Sarnoski , who first gained attention with Pig before moving into larger productions with A Quiet Place: Day One . This film feels like his most overtly artistic work to date, trading adventure and action for atmosphere and reflection. The movie is visually impressive and often succeeds at creating a somber, almost dreamlike mood, but its deliberate pacing becomes difficult to ignore its two-hour and three-minute runtime. Scenes linger, conversations stretch, and the story frequently feels more interested in mood than momentum. Hugh Jackman , known for Logan and The Prestige , takes on the role of an aging Robin Hood and delivers a committed performance. He carries the emotional burden of the film well, portraying a man wrestling with regret, legacy, and mortality. Jackman has the screen presence to make even the slower moments engaging, although the script occasionally asks him to carry more weight than the story itself ca...

The Drama (2026)

The Drama is directed by Kristoffer Borgli  known for Dream Scenario and Sick of Myself. T he film feels determined to present itself as something profound and artistic. Borgli leans heavily into style and ambiguity, but the result is a movie that often feels more interested in appearing meaningful than actually being meaningful. The pacing is hurt by constant quick cuts between scenes, rarely allowing a moment to breathe or an emotion to settle. Just as a scene starts to build momentum, the film jumps somewhere else, making it difficult for any dramatic moment to land with the weight it deserves. Zendaya , known for Dune and Challengers , plays her role with an extremely restrained approach. Unfortunately, the performance often feels one-note, with much of her emotional range limited to variations of frustration and disappointment. Whether this was a directorial choice or an acting one, it creates a distance between the character and the audience that the film never overcomes....