Skip to main content

Constantine (2005)

Constantine is about a supernatural detective who helps a policewoman with the details of her sister's death.

The film is directed by Francis Lawrence who has a new movie coming out called Red Sparrow that I'm excited about viewing. Constantine has great visuals and good CGI for the time. He has some great shots and gets some great moments with everything that this needs to have. This was a real challenge and John Constantine is one of my favorite characters in the DC universe.

It's easy to name of Keanu Reeves movies but people tend to forget this one. Maybe it was just too weird at the time for the regular movie going audience to go see. Now, with movies like Guardians of the Galaxy with talking raccoons, this movie seems a bit tamer. Keanu is Keanu in this film. He doesn't really have the characteristics of Constantine but that's not necessarily a bad thing.

Rachel Weisz, the girl from The Mummy, is in this and plays both Angela and Isabel Dodson. Her main character's sister has a small role in the movie. She isn't that bad in this film either. A solid performance and it makes me wonder why she doesn't get bigger roles. I think the last film I saw her in was The Lobster.

Shia LeBeouf is also in this film as Chas Kramer which is basically Chas Chandler if you follow the Hellblazer comics. The comics have him having a much different character as it's implied that he's the God of Healing. Either way, he's basically just Constantine's means of transportation and like in the comics, Constantine keeps Chas at a distance because of the nature of his work.

Gavin Rossdale and Tilda Swinton play Balthazar and Gabriel in the film. Tilda is great whereas Gavin just seems to be there to get all the teen-girls-in-the-2000s up in a frenzy. He's the lead singer of Bush by the way and was married to Gwen Stefani.

Result: B- (It's above average for the type of film it is)


Comments

Popular posts from this blog

How to Train Your Dragon (2025)

How to Train Your Dragon (2025) is directed by Dean DeBlois , who also wrote and directed the original animated trilogy as well as Lilo & Stitch . His return to the property ensures a faithful live-action adaptation that honors the tone and emotional core of the original. Visually, the film captures the bond between humans and dragons, with the exception of some controversial choices in casting presentation. Mason Thames , best known for The Black Phone , gives his best performance yet as Hiccup. He brings a believable vulnerability and growth to the role, matching the spirit of the original character while adding more emotional nuance in live-action. Nico Parker plays Astrid and is strong in the role, though the decision to light and style her to resemble a white Viking, despite her mixed heritage, has sparked justified conversation. Despite that, Parker's acting is solid, and she handles the action and emotional beats well. You might remember her from Dumbo. Gerard Butle...

Frankenstein (2025)

Frankenstein (2025) is directed by Guillermo del Toro , the visionary filmmaker behind Pan’s Labyrinth and The Shape of Water . His style once again blends gothic beauty with emotional storytelling, and his long-awaited take on Frankenstein is everything you’d expect: tragic, poetic, and visually stunning. Del Toro’s passion for monsters and misunderstood souls shines through every frame, making this adaptation both faithful and deeply personal. Oscar Isaac , known for Ex Machina and Dune , gives a grounded and believable performance as the tormented Dr. Frankenstein. He captures the obsession and guilt of a man who has gone too far, balancing intellect with a quiet madness that feels earned rather than exaggerated. Mia Goth , who has proven herself in Pearl and Infinity Pool , continues her run as one of the most mesmerizing modern actors. Her ethereal presence fits perfectly within Del Toro’s world, and she brings depth and vulnerability to a role that could have easily been o...

Whistle (2026)

Whistle (2026) plays less like a finished horror film and more like a theater kid’s passion project that somehow made it to the screen. The script tries to build emotional investment in the main character but never succeeds, and the horror elements are almost nonexistent. The scares simply are not there, leaving the film feeling hollow for a genre that depends heavily on tension and payoff. The screenplay comes from Owen Egerton , whose work here feels more like a personal self insert than a fully realized character.  The protagonist, played by Dafne Keen , comes across almost like a gender swapped version of the writer himself. Keen, known for Logan and His Dark Materials , tries to bring intensity to the role but the material gives her very little to work with. The direction from Corin Hardy , who previously directed The Nun , feels restrained by the script. It is hard not to feel a bit bad for him because there is only so much a director can do when the writing does not provi...